Rare English Regency Hawksbill and Greenback Tortoiseshell Tea Caddy with ivory and pewter stringing, having cut corners and a bowed front panel with pressed tortoise in concentric ovals with fan corners and central inlaid silver oval with leafage border; the bowed lid surmounted by a ball finial and the whole raised on ball feet. Circa 1800-15. (Key). Height, 6”; Length, 8”; Depth, 4.75.”

#573 English octagonal ivory tea caddy with fluted ivory panels with tortoise shell stringing and banding, having a pyramidal lid with silver finial opening to a lidded compartment. Circa 1790. Height, 5”; Length, 4.25”; Depth, 3.25.”

**Regarding the Sale of Items Incorporating Materials from Endangered Species: An export license issued by the U.S. Fish and Wildlife Service will be required for the export of this pre-CITES item from the U.S. Studio Antiques will not ship this item outside of the USA without proper paperwork, which is the buyer's responsibility.

French Boulle Style Tea Caddy, rectangular with cut-corners and slightly domed lid with all sides and two interior lids extensively inlaid with engraved brass and red and black colored lacquer simulating tortoise-shell in the 17th century manner. Circa 1850.

Provenance: The Cockrell Collection. (Key). (See our #555 for a related example with blue lacquer ground.) See Clark & O’Kelly, p. 109-10 for related boxes. Height, 4.5”; Length, 8.75”; Depth, 4.5.”

#530 Antique Anglo-Indian Tea Chest, sandalwood overlaid with strips of elk horn. The box is rectangular with sloped sides. The elk horn on the top of the stepped, sloping lid arranged in a starburst pattern. The fitted interior is decorated with incised ivory panels, highlighted with lac, a similarly decorated pair of removable caddies and a circular cut crystal sugar bowl and a horn caddy spoon. (The squashed ball feet are later replacements. Lid lack support). Valtair, Vizagapatam, possibly by Chinniah, ca. 1840-50. See: Furniture from British India and Ceylon by Amin Jaffer, #61 for a similar workbox. Exhibited: The 48th Washington Antiques Show, “Inside and Outside the Box.” Height, 9”; Width, 14.75”; Depth, 8.5”.

Rare Antique Chinese Export red lacquer melon-form tea caddy with six loebed sides, three gilt dragon paw feet, gilt decoration of figures in gardens on body and hinged lid with carved “stem,” opening to a similarly shaped tin liner. Circa 1825. Height, 5.5”; Diameter, 6.25” Gourds and mellons had a particular significance in Chinese culture.

See: ”Antique Boxes”by Clark and O’Kelly, figure #238 and our #620 for a similar example.

Exceptional Napoleon III Tea Chest, ebonized with extensive ormolu mounts; rectangular with cut corners, having a stepped hinged lid with a small compartment surmounted by a figure of a boy holding a tray and opening to a fitted interior with a well, two gilt crystal caddies and a sugarbowl. French, probably TAHAN, late 19th Century.

13" x10" x 13" tall

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

Exceptional pair of antique French Gilt Bronze Fireplace Chenet in the form of Dionysian children seated on a plinth and eating grapes, and with foliate and cyma curved decoration. 18th/19th Century. Each Approx.: 12.5" x 12.5" x 5.5 deep

Charles A. Watson (American, 1857-1923)

"Sailing Off Virginia Coast"

Oil on canvas, signed lower right and titled on a paper label on reverse (minor crackalure)

Watson was born in Baltimore, MD. He studied with A. Castaigne, E.S. Whiteman and D. Woodward. A founding member of the Baltimore Charcoal Club, he was also a member of the Baltimore Watercolor Club. Watson exhibited at the Pennsylvania Academy of the Fine Arts Annual Exhibition in 1906. He is noted for his Tonalist marine paintings where the softly dawnlit skies blend with the pale ocean waters, often with a bare outline of a sailboat.

Source:
Falk, Peter, ed. "Who Was Who in American Art 1564-1975"

Ptg, : 16" x 24"
Frame : 20.5" x 28.5"

Rare English Regency Tea Chest in rosewood, of sarcophagus form with a paneled lid opening to a fitted interior retaining a pair of Anglo-Irish cut glass tea caddies and sugar bowl and original felt lining under the lid, circa 1830.

Cut crystal containers were very expensive at this time, almost as expensive as silver. It is very unusual for tea chests to retain their original crystal fittings.

13" x 6.75" x 8" tall

Tea Chest in the Form of a Sideboard, in mahogany and deal, having a rectangular hinged top with shaped and carved backsplash, opening to a felt lined interior with two compartments for teaspoons and a moulded crystal sugarbowl. The front with a starburst pierced central panel flanked by hinged doors with applied plinth-form decoration and opening to foil lined drawers for green and black teas.

William Smee & Sons, London, published a catalog of furniture designs in 1850 which had sideboards of similar form. (See Pictorial Dictionary of British 19th Century Furniture Designs by Edward Joy, pp 435-36.)

Exhibited: The 48th Washington Antique Show, “Inside and Outside the Box”.

English Circa 1840.

13.25” x 7” x 11.25” (Non-working key)

Exceptional Chinese Export Black Lacquer Jewelry Chest with raised and gilt Chinoiserie decoration: having a hinged top upper compartment above two doors revealing an arrangement of small drawers and below a larger shallow drawer. 19th century.

14.75" x 8.5" x17.5"high.

Exceptional antique English Regency Collectors Cabinet in nicely figured mahogany; rectangular with two paneled doors opening to twelve graduated small drawers and the whole with shaped skirts and ebonized ball feet. Circa 1815

13.5" x 7.75" x 15.25" tall

Rare George III Ambry in mahogany having an hinged arched top opening to a well and a paneled cabinet door flanked py pilasters, and the whole raised on ball feet. In Christian churches, items kept in an ambry include chalices and other vessels, as well as items for the reserved sacrament, the consecrated elements from the Eucharist. English, circa 1760.

18" x 14" x 28" tall

Rare Large Pair of Antique Wall Appliques, carved and gilt wood in the form of flowers in baskets.

French or Italian, 18th/19th Century

30"tall x 23"wide x 2''deep

Rare Red Lacquer Tea Chest of bombe shape with cut corners having a hinged steppedlid opening to two engraved pewter caddies,t he whole with gilt decoration and raised on dragon form feet.

Chinese,circa 1850

9.5" x 7"x 5.5" tall

Julius Montalant, American 1823-1878.

View of a Harbor

oil on canvas, signed l.l.

Painting: 11 x 18.
Frame: 18 x 25.

Provenance: The Lowell/Putnam Estate

Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships.

Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China.  Many of his works are held in the Museum of the U.S. Naval Academy.  Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position.

During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts.  Included were paintings of North America, Greece, China, France, Italy, and South America. The 'tropical' scenes were apparently based on sketches done on board the USS St. Louis.

In 1858 he traveled to Rome, and is recorded to have studied with J.B. Durand-Brager in 1864.  He made Rome his base until his death in 1878.

Source: Peter Hastings Falk, Editor, Who Was Who in American Art

Fine George III Oval Brass Bound Peat Bucket with mahogany staves and brass banding, liner and loop handle. English, Circa 1780. 13" x 10" x 12.5" (not including handle)

Fine Pair of Grand Tour Bronze and Ormolu Candlesticks in the Empire style with fluted baluster shaped shafts , with acanthus decoration on gilt-bronze sections and paw feet raised atop tripartite bases. These would have been brought home as a souvenir by someone who had made the Grand Tour. France or Italy, circa 1870.

h: 11 in.