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Paintings : Oil : N. America : American : Pre 1900 item #1204005 (stock #10341)
STUDIO ANTIQUES & FINE ART, INC.
$8,500
William Richardson Tyler (American 1825-1896)

Misty Morning at Windsor Castle

Oil-on-canvas, signed lower left

Painting Size: 18.5”” x 29.5”
Frame Size: 31” x 42”

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

Tyler is known to have lived and worked in Troy, NY during the 1850‘s and 60‘s where, aside from Abel Buell Moore, he was Troy’s best known artist. According to William Gerdts “Troy was a prosperous industrial and commercial city. It was also a major center of education in the 19th century. Tyler had gone to Troy to work for the carriage company of Eaton and Gilbert. In 1858 Tyler opened his own painting studio (and he) painted the local landscape but was more drawn to the sea. He specialized in scenes off the coast of Long Island and Massachusetts.” It is apparent from the record of his works that he traveled extensively in Europe painting scenes in Venice and scenes in England such as this luminist view of Windsor Castle. Tyler also painted the landscapes of the White Mountains (NH) and the Keene Valley in the Adirondacks of New York.

Tyler exhibited at the National Academy of Design (1862-1867 and 1878) and his work “Breezy Day Off Boston Light” is held by the Troy Public Library.

Sources:
Benezit, E. "Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs"
Creps, Bob, "Biographical Encyclopedia of American Painters, Sculptors &Engravers of the U.S."
Falk, Peter, ed. "Who Was Who in American Art 1564-1975"
Gerdts, William H., "Art Across America, Two Centuries of Regional Painting"

Paintings : Oil : N. America : American : Pre 1910 item #1217074 (stock #10413)
STUDIO ANTIQUES & FINE ART, INC.
$1,850
Santa Maria della Salute, Venice

by C. Myron Clark (American, 1876-1925)

Oil on canvas, signed and dated: "1906"

Painting: 16" x 12"
Frame: 21.5" x 17.5"

American painter C. Myron Clark specialized in marine subjects and, like so many other artists, was drawn to Venice with its ongoing atmospheric shifts in the sky and sea. The Peabody Museum in Salem, MA has five of his works in the permanent collection. He is listed in Who Was Who in American Art by Falk and Dictionary of Sea Painters by Archibald.

Paintings : Oil : Europe : Dutch : Pre 1900 item #1241180 (stock #10471)
STUDIO ANTIQUES & FINE ART, INC.
$2,850
Dutch School, 19th Century

Floral Still life with Tulips, Iris and Roses in a Glass Jar with Butterflies, Insects and a Shell

Oil on panel (slight warp)

Painting Size: 19.75” x 14.75”
Frame Size: 27 ” x 23”

Paintings : Oil : Europe : British : Pre 1900 item #1256271 (stock #10561)
STUDIO ANTIQUES & FINE ART, INC.
$3,650
John Syer, (British, 1815-1885)

Two Views of the West of England

A pair of oils on canvas, retaining Frost and Reed Gallery labels.

Sight Size: 10.25" x 13"
Canvas Size: 12" x 14 1/2"
Frame Size: 17.5" x 20"

Born at Atherstone, Warwickshire, England on May 17th, 1815, Syer studied with J. Fisher, a miniaturist, and settled in Bristol. Syer was one of the prime favorites of the Victorian era. He painted landscapes and coastal scenes with figures, often in Devon and Wales, of which he was regarded as a specialist and commanded high prices.

He was a member of the Royal Institute of Painters in Water-Colours, and for some years he belonged to the Royal Society of British Artists, but resigned his membership in 1875 after his election to the Institute. He also exhibited 19 works at the Royal Academy of Arts, London, 11 at the British Institute and 63 at the Royal Society of British Artists as well as at the Grosvenor Gallery.

Examples of his paintings and drawings are in the Leeds Gallery, the Birmingham Gallery ,the Bristol Gallery, the Leicester Art Gallery and the Sheffield Art Gallery.

Source:
Wood, Christopher, "The Dictionary of Victorian Paintings"

Paintings : Oil : Europe : British : Pre 1900 item #1260348 (stock #10570)
STUDIO ANTIQUES & FINE ART, INC.
$2,150
John Henry Smith (British, fl.1852-1893)

An Artist at Work

Oil-on-canvas, signed lower left and dated “1863”

Painting Size: 22.25” x 18”
Frame Size: 31.25 ” x 27.25”

This charming portrait of a young woman artist at work is a wonderful depiction of the painter and her tools. Her subject of a vase of flowers with fruit sits on a table to her right. The sturdy adjustable easel has a shelf where she has laid out her tubes of pigments. She is using a mahl stick to create a bridge across the canvas which supports her painting hand to avoid touching the surface. An artist’s apron lays across her lap to protect her skirt. Her full concentration is on the canvas in front of her which is nearing completion.

J. Henry Smith was a painter of genre, landscapes and animals, living in London, Brixton and South Lambeth who exhibited extensively from 1852-1893 at the royal Academy, the British Institution, the society of British Artists and elsewhere. Titles exhibited at the Royal Academy included “Where the Shoe Pinches” (1882) and “A Book is the Best Solitary Companion in the World” (1885).

Sources:
Johnson, J. and A Greutzner. "The Dictionary of British Artists 1880-1940"
Wood, Christopher. "Dictionary of British Art. Vol. IV, Victorian Painters"

Paintings : Oil : Europe : Pre 1920 item #1281863 (stock #10577)
STUDIO ANTIQUES & FINE ART, INC.
$2,850
Georges Brasseur (Belgian, 1880-1950)

Morning Light

Oil-on-canvas, signed lower left

Painting Size: 19.75” x 25.5”
Frame Size: 24 ” x 30”

Brasseur was a painter and designer who specialized in religious art as well as genre scenes, portraits and nudes.He was a student at the Saint-Luc School in Schaerbeek where he spent his last year as a scene painter. He adopted a Neo-Gothic style, typical of that school. Brasseur also produced copperplate engravings and stained glass windows. Among others, he worked with the Beyaert firm of Bruges and with the stained glass artist J. Osterrath.

Sources:
Benezit, E. "Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs"
"Le Dictionnaire des Peintres Belges du XIV Sicle du XIV Siècle à Nos Jours"
Piron, Paul , "De Belgische Beeldende Kunstenaars uit de 19de en 20ste eeuw"

Paintings : Oil : Europe : Spanish : Pre 1900 item #1289285 (stock #10624)
STUDIO ANTIQUES & FINE ART, INC.
$1,850
Federico Jiménez Fernandez (Spanish, 1841- ?)

Chickens and Rooster

Oil-on-Panel, signed lower right

Painting: 12.5" x 9.25"
Frame: 18.5" x 15.25"

Federico Jiménez Fernandez was born in Madrid in 1841 and trained at the School of Painting, Sculpture and Engraving of San Fernando where he studied with José Gonzalez Bande. He traveled to Paris to continue his studies, as did so many other artists of the time. Jiménez was known for his paintings of birds and animals, both wild and domesticated.

Jiménez began exhibiting at the age of 17 and won his first of many medals the following year. His reputation was well established at an early age and his painting “La Maison Morte” was purchased by the National Museum in 1862. He also exhibited in Germany and in Paris at numerous venues. His popularity and the taking on of commissions to decorate palaces allowed him to support his family in a comfortable fashion.

One of Jiménez’ paintings, a parody of “The Judgement of Paris” is held by the Prado Museum. In this work, Paris and the three beautiful goddesses are replaced by a rooster with an apple at his feet and three hens.

Sources:
Benezit, E. Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs

Paintings : Oil : N. America : American : Pre 1900 item #1289298 (stock #10622)
STUDIO ANTIQUES & FINE ART, INC.
$2,650
Peter Paul Duggan (Irish/American 1810 ? -1861)

Macbeth

Oil on artist board

Provenance: Sycamore Farm, Portsmouth, VA (Estate of Robert Vick and Charles Sibley)

Note: Listed in "The National Academy of Design Exhibition Record 1861-1900" page 249, number 482.

Painting Size: 6 ½” x 6 ½”
Frame Size: 10” x 10”

Born in Ireland, Duggan was brought to the United States as a young child, probably around 1810. He was a student at the National Academy of Design from approximately 1842-1849. He was a frequent exhibitor at the National Academy as well as at the Pennsylvania Academy of Fine Art.

Duggan was known to have exhibited works at the Academy (1844-51) which were religious and historical in nature although he was admired by his contemporaries as a portraitist in charcoal and crayon - undoubtedly the source of his livelihood. Later works exhibited (1855-56) were portraits only. He also sculpted several medals for distribution by the American Art-Union. In the late 1840’s Duggan was a professor of drawing at the Free Academy of New York (later the City College of New York).

Duggan suffered from tuberculosis and retired in 1856 at which time he went to live in London with relatives. In the spring of 1861 he went to Paris for what was intended to be an extended stay but was there only until October when he succumbed to his illness.

Sources:
Falk, Peter, ed. Who Was Who in American Art 1564-1975
Groce & Wallace, Dictionary of Artists in America, 1564-1860
Mallett, Daniel Trowbridge. Index of Artists

Paintings : Oil : N. America : American : Pre 1900 item #1295806 (stock #10030)
STUDIO ANTIQUES & FINE ART, INC.
$6,500
Alfred Wordsworth Thompson (American 1840-1896)

Lake Scene in Western Maryland

Oil-on-canvas, signed lower right and dated “1861”

Painting Size: 8 ½”” x 16”
Frame Size: 12.5” x 20”

Thompson was a landscape, historical and portrait painter, born in Baltimore where he studied law with his father. In 1859 Thompson decided to become and artist and opened a studio in Baltimore. During the first year of the Civil War (1860) he worked as a combat artist for Harper’s Weekly and the Illustrated London News, primarily illustrating battles in Virginia. In 1861, the year this painting is dated, he left to study in Paris at the École des Beaux Arts with Gleyre, Lambinet and Pasini. He also traveled to Italy and Germany before establishing his studio in New York City in 1868. He made several return trips to France, Spain, North Africa and the Mediterranean. In addition to his travel landscapes, many of his exhibited works were of colonial revolutionary subjects.

Thompson was a founding member of the Society of American Artists and a member of the National Academy of Design. He exhibited extensively including at the Paris Salon, the Pennsylvania Academy of Fine Art, the Paris Expo of 1878 and the National Academy of Design.

Sources:
Falk, Peter, ed. Who Was Who in American Art 1564-1975
Wright, R. Lewis. Artists in Virginia Before 1900

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

Paintings : Oil : Europe : British : Pre 1900 item #1303869 (stock #10659)
STUDIO ANTIQUES & FINE ART, INC.
$8,500
Richard Redgrave (British, 1804-1888)

Resting Deer in a Forest Landscape

Oil on canvas

Provenance: Thomas McLean Gallery, London (retaining the original label on the back).

Painting: 20.75" x 36"
Frame: 30" x 45"

Redgrave was a genre and landscape painter. For a time he worked with his father who was an engraver before entering the Royal Academy in 1825. He began by painting historical genre in 18th century costume but in the 1840s he was among the first to depict contemporary social subjects in contemporary clothing (“The Seamstress”, “Bad News from the Sea”, “The Governess”). In 1836 he finally gained wider audience with his painting of “Gulliver on the Farmer’s Table”.

Redgrave was involved with the organization of the Government School of Design (1847) as well as the first keeper of paintings at the South Kensington Museum (now known as the Victoria and Albert museum). He was Inspector of the Queen’s Pictures and co-author with his brother Samuel of “A Century of Painters of the English School”, still a valuable book on English art.

Redgrave exhibited some 175 works at the Royal Academy from 1824-1883, the British Institution, the Society of British Artists and others. Several of his paintings are in the Victoria and Albert museum, the National Portrait Gallery (London) and the Shipley Art Gallery (Gateshead).

Retiring from his many offices in 1880 due to ill health, Redgrave’s later work was mostly painted while summering at his country house, primarily landscapes painted in a pre-Raphaelite style.

Sources:
Benezit, E. "Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs"
Johnson, J. and A Greutzner. "The Dictionary of British Artists 1880-1940"
Wood, Christopher. "Dictionary of British Art. Vol. IV, Victorian Painters"

Paintings : Oil : N. America : American : Pre 1920 item #1317629 (stock #10704)
STUDIO ANTIQUES & FINE ART, INC.
$4,500
August H.O. Rolle (American 1875-1941)

River Birches

Oil on Canvas, Signed lower right and titled and signed on reverse

Painting: 20" x 24"
Frame: 24" x 28"

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

August Herman Olson Rolle, painter, printmaker and graphic artist, dabbled in many activities before turning his focus to art. Born in Sibley County, MN, in 1875, his first path toward adulthood led him to Red Wing Seminary. Service in the Spanish-American War, eventually lead him to Washington, DC where he became a forestry expert for the Census Bureau.

Once in Washington, Rolle studied at the Corcoran School of Art under Messer, Brooke and Moser beginning in 1905. His specialties were landscapes and seascapes in oil and watercolor, but he also executed dryprints, woodblock prints, monotypes and etchings.

Following the tradition of his day, Rolle was active in many art societies. In addition to helping found the Landscape Club of Washington in 1915, he served as its president for many years. That was just one among a number of affiliations which also included the Sculptors and Gravers Society of Washington, the American Federation of Arts, and the Arts Club of Washington.

Rolle also exhibited at the Corcoran Gallery of Art, the old National Gallery, the Maryland Institute and at the Greater Washington Independent Exhibition of 1935. He had a joint exhibition of prints with fellow artist Benson B. Moore at Venable's Gallery in 1924.

Rolle died in Washington, DC in 1941. Today, his work is represented at the Corcoran Gallery, the Historical Society of Washington, DC, and the Arts Club of Washington. A retrospective of his work was held at the Corcoran's 1982 "Washington on the Potomac" and at the National Museum of American Art's 1984 show "The Capitol Image."

Sources:
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Falk, Peter, ed. "Who Was Who in American Art 1564-1975"
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"

Paintings : Oil : Europe : British : Pre 1900 item #1320813 (stock #10712)
STUDIO ANTIQUES & FINE ART, INC.
$35,000
Harriette F A Sutcliffe (British, fl.1881 - 1922)

Beauty and the Beast

Oil on canvas, signed with monogram and titled on the reverse

Exhibited: The Royal Academy, 1899

Miss Suitcliff was a Hampstead painter of genre and portraits who exhibited at the royal academy from 1881-1899 and elsewhere.

Source:

Christopher Wood, The Dictionary of Victorian Painters

Painting Size: 16" x 20" Frame Size: 24" x 28"

Paintings : Oil : Europe : Dutch : Pre 1900 item #1323153 (stock #10714)
STUDIO ANTIQUES & FINE ART, INC.
$9,500
Johannes Marinus Ten Kate (Dutch, 1859-1896)

Working the Field

Oil on canvas. signed lower right

Painting17" x 24 3/4"
Frame: 28" x 35 1/4"

Ten Kate was known for his landscapes, beach scenes and genre paintings. Born in Amsterdam, he was the son of Johannes Mari ten Kate, under whom he most likely studied. He lived and worked in the Hague and was a member of the Hague Artists’ Society and the Pulchri Studio (latin:"for the study of beauty"), a Dutch art society, art institution and art studio based in the Hague. The countryside around the coastal town of the Hague provided a rural environment and an unspoiled landscape which attracted many young artists of the nineteenth century eager to escape the strictures of academic art guilds.

Paintings : Oil : Europe : British : Pre 1900 item #1332108 (stock #10741)
STUDIO ANTIQUES & FINE ART, INC.
$14,500
James Pollard (British 1792-1867)

The London to Oxford Coaches at Mile Marker 24

Oil-on-canvas, signed lower right

Painting: 17” x 32”
Frame: 23 ½” x 38 1/4”

Pollard was an engraver and sporting artist noted for his coaching, fox hunting and equine scenes. As the son of Robert Pollard, a painter, engraver and publisher, James was encouraged to become a painter of horses. He was also tutored by his father’s friend, the engraver Thomas Bewick. Growing up in Islington, Pollard lived on a main coaching route which undoubtedly influenced his choice of coaching scenes as his primary subject matter. In 1821 he exhibited a large work at the Royal Academy “North Country Mails at the Peacock, Islington” and by 1825 he was successful enough to leave his father, marry and set up his own studio. He prospered with numerous commissions. With the demise of the mail coaches in the 1840‘s, Pollard expanded his subject matter to include racing, hunting, shooting and angling scenes. Pollard is also known to have collaborated with John Frederick Herring Senior on several racing pictures in which he painted the backgrounds and crowd scenes and Herring painted the horses.

Pollard exhibited at the Royal Academy between 1821-1839, the British Institution in 1824 and 1844, and at the Suffolk Street Galleries. Many of his works were reproduced in prints which were engraved by himself, his father and others.

Pollard’s work is noted for its historical accuracy, attention to detail and in evoking the spirit of the coaching age.

Sources:
Mitchell, Sally. The Dictionary of Equestrian Artists
Wingfield, Mary Anne. A Dictionary of Sporting Artists, 1650-1990
Wood, Christopher. Dictionary of British Art. Vol. IV, Victorian Painters

Paintings : Oil : N. America : American : Pre 1920 item #1337947 (stock #10739)
STUDIO ANTIQUES & FINE ART, INC.
$3,950
August H. O. Rolle (American 1875-1941)

Rock Creek Park

Oil-on-canvas, signed lower left.

Painting: 16” x 20”
Frame: 23” x 26 ½”

August Herman Olson Rolle, painter, printmaker and graphic artist, dabbled in many activities before turning his focus to art. Born in Sibley County, MN, in 1875, his first path toward adulthood led him to Red Wing Seminary. Service in the Spanish-American War, eventually lead him to Washington, DC where he became a forestry expert for the Census Bureau.
Once in Washington, Rolle studied at the Corcoran School of Art under Messer, Brooke and Moser beginning in 1905. His specialties were landscapes and seascapes in oil and watercolor, but he also executed dryprints, woodblock prints, monotypes and etchings.
Following the tradition of his day, Rolle was active in many art societies. In addition to helping found the Landscape Club of Washington in 1915, he served as its president for many years. That was just one among a number of affiliations which also included the Sculptors and Gravers Society of Washington, the American Federation of Arts, and the Arts Club of Washington.
Rolle also exhibited at the Corcoran Gallery of Art, the old National Gallery, the Maryland Institute and at the Greater Washington Independent Exhibition of 1935. He had a joint exhibition of prints with fellow artist Benson B. Moore at Venable's Gallery in 1924.
Rolle died in Washington, DC in 1941. Today, his work is represented at the Corcoran Gallery, the Historical Society of Washington, DC, and the Arts Club of Washington. A retrospective of his work was held at the Corcoran's 1982 "Washington on the Potomac" and at the National Museum of American Art's 1984 show "The Capitol Image."

Sources:
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Falk, Peter, ed. "Who Was Who in American Art 1564-1975"
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

Paintings : Oil : Europe : British : Pre 1900 item #1339819 (stock #10751)
STUDIO ANTIQUES & FINE ART, INC.
$4,250
19th Century British School

"Warmiing Up" Jockey Galloping a Horse with a Plaited Mane

Oil on Canvas , signed"WV"

Painting: 16" x 24"
Frame: 20.75" x 28.5"

Paintings : Oil : N. America : American : Pre 1900 item #1345662 (stock #10719)
STUDIO ANTIQUES & FINE ART, INC.
$3,500
Max Weyl (German/American, 1837-1914)

"Evening on the Marsh"

Oil on Academy Board, signed and dated "(18)88", dated "Dec. 27,1888" on the reverse and titled by Benson B. Moore also on the reverse.

Provenance: The Washington area painter Benson B. Moore. Moore studied with Weyl at the Corcoran in Washington D.C.

Painting: 11 x 16 in.
Frame: 16 x 21 in.

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

Max Weyl was born Dec. 1, 1837, in Germany and immigrated with his family to Williamsport, PA in 1853. At this time and after his arrival in Washington, DC in 1861, Weyl earned his living as an itinerant watch repairman. At the relatively young age of 24, he had saved enough money to open his own jewelry shop at Third Street and Pennsylvania Avenue.

He was self-taught as an artist but was encouraged in the field by Washington artist Charles Lanman, who recognized his potential artistic talent. In 1870, Weyl sold his first painting to Samuel H. Kauffman, publisher of the Star . Kauffman became a regular patron of Weyl.

By 1878, he had achieved sufficient success to list himself as an artist in the city directory and had devoted himself full-time to his art. A year abroad in 1879-80, visiting and studying in Paris, Vienna, Munich and Venice attached him to the Barbizon style and gave him his nickname of the "American Daubigny". His first exhibition and sale of landscapes was in 1879. Eventually, his landscapes of the Potomac River and Rock Creek Park won him much recognition and acclaim.

During the years of 1882-92, he shared a studio with Richard Norris Brooke in Vernon Row at 10th and Pennsylvania, moving to the "Barbizon Studio" building, on 17th and Pennsylvania, from 1892-1903.

Weyl had annual exhibitions and sales at V.G. Fischer Galleries. There was a retrospective at the Corcoran Gallery of Art in 1907. Weyl died July 6, 1914, in Washington, DC. Today his work can be seen in such varied locations of the Corcoran Gallery, the Cosmos Club in Washington, the National Trust for Historic Preservation and Virginia Military Academy.

Sources:
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Falk, Peter, ed. "Who Was Who in American Art 1564-1975"
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"

** For other paintings by artists from Maryland, Virginia or Washington DC, type “local” into the search box.

Paintings : Oil : N. America : American : Pre 1900 item #1346445 (stock #10769)
STUDIO ANTIQUES & FINE ART, INC.
$4,650
Lucien Whiting Powell (American 1846-1930)

Bayou Oil-on-canvas, signed lower left

Provenance: Senator John B. Henderson (1826-1913)

Painting: 23” x 37”
Frame: 27” x 41”

Born 1846 in Upperville, Lucien Whiting Powell served with the Virginia cavalry during the Civil War. After attending the Pennsylvania Academy of Fine Arts, Powell moved on to the London School of Art by 1875 where he was strongly influenced by the atmospheric painting style and romantic subject matter of J.M.W. Turner.

Powell eventually settled in Washington D.C. where he had a series of different studios, the most noted one at Henderson’s “Castle” on 16th Street owned by his formidable patron, Mrs. John B. Henderson. Perhaps with a certain proprietary attitude towards the artist, Mrs. Henderson owned some 200 of his watercolors and works on canvas and funded his tour of the Middle East in 1910.

An avid traveler, Powell also toured the American West in 1901. His best known works are landscapes of the Grand Canyon as well as land- and seascapes of Venice. In Street Scene in Florence, Italy, a casual gathering of women proffer goods under cloth and wooden awnings in an open square. Powell’s warm, earthy palate and loose, painterly rendering reflect his admiration of Turner.

Though he ventured far afield, Powell achieved considerable recognition in the District; his works were collected by Franklin Delano Roosevelt and Mrs. Woodrow Wilson. He also exhibited regularly at the Corcoran and was a member of the Society of Washington Artists. Powell’s work is currently represented in the collections of American University, Georgetown University, the U.S. State Department and the Historical Society of Washington, D.C

Sources:

Falk, Peter, ed. Who Was Who in American Art 1564-1975
McMahan, Virgil. The Artists of Washington, D.C. 1796-1996** For other paintings by artists from Maryland, Virginia or Washington DC, type “local” into the search box.

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

 

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