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Paintings : Oil : Europe : British : Pre 1900 item #377629 (stock #8659)
STUDIO ANTIQUES & FINE ART, INC.
SOLD
Young Girl at the Spring

James John Hill (British, 1811-1882)

Oil on canvas, signed and dated: “(18__)” and retainging its original gilt wood and gesso frame.

Painting size: 12” x 10”
Frame size: 32” x 42”

Paintings : Pre 1900 item #422994 (stock #8827)
STUDIO ANTIQUES & FINE ART, INC.
SOLD
Walter Harrowing (British, worked 1865-1904)

Chestnut Hunter in a Stable

Oil on canvas, signed and dated: “1877”.

There is no known exhibition record of Harrowing’s work and little is known of his background other than that he is noted for his portraits of horses and dogs, particularly beagles, hunters, brood mares and coach horses. He is also known to have painted still lifes of game as well as various other farm animals. He is listed in The Dictionary of British Equestrian Artists by Sally Mitchell and The Dictionary of Sporting Artists by Mary Ann Wingfield

Painting size: 25” x 30”
Frame size: 30.25” x 35.25”

Paintings : Pre 1900 item #464530 (stock #8898)
STUDIO ANTIQUES & FINE ART, INC.
SOLD
J.A. Mitchell (British, active 1826-1832)

Bay Horse in a Landscape with a Castle in the Distance

Oil on canvas, signed lower right and retaining a paper label on reverse of stretcher from: “Findlay, Carver & Gilder, Glasgow”.

Painting size: 24” x 30”
Frame size: 32” x 37.25”

A painter of equestrian subjects, including hunting and steeplechasing scenes, Mitchell lived in Leamington, Warwickshire and most of his hunt scenes depict incidents in this county. He is also recorded as living in London in 1832 when he exhibited a painting at the Royal Academy. Mitchell exhibited one portrait at the Royal Birmingham Society of Artists in 1835. Additionally, Mitchell painted two horse and rider portraits that were engraved by the Hunts. Both engravings were later included in Moore’s "Celebrated Winners" series, hand colored engravings that commemorated many famous horses. Two prints made of Mitchell’s paintings were part of the Paul Mellon collection and are illustrated in Dudley Snelgrove’s "British Sporting and Animal Prints 1658-1874 in the Paul Mellon Collection" (1978)

Sources:
Mitchell, Sally, "The Dictionary of Equestrian Artists"
Wingfield, Mary Anne, "A Dictionary of Sporting Artists, 1650-1990"

Paintings : Oil : N. America : American : Pre 1900 item #587666 (stock #8604)
STUDIO ANTIQUES & FINE ART, INC.
SOLD
Robert M. Decker (American, 1847-1921)

Extensive Woodland Landscape with Stream

Oil on canvas, signed.

Painting size: 20.25” x 26”
Frame size: 31.25” x 47.25”

Decker received his art training from R. Swain Gifford. His first important recognition occurred when he was thirty-six when the the National Academy of Design exhibited one of his paintings. That same year, the Brooklyn Art Association also exhibited one of his works. He went on to become a well known exhibitor in Brooklyn and exhibited at the National Academy of Design from 1883 to 1898 . He was also a professionally successful artist during his life with a record of sales to numerous affluent patrons. He was a member of the Brooklyn Art Club and Society of Brooklyn Artists.

Decker is listed in Who Was Who in American Art by Falk.

Paintings : Oil : Europe : British : Pre 1900 item #1228660 (stock #10351)
STUDIO ANTIQUES & FINE ART, INC.
This item has been sold. It remains on our website for internet research purposes.
Mrs. J. Lizzie Cloud (British, flourished 1873-1880)

Young Boy With Doll and Clay Pipe

Oil on board, signed lower left and dated "1872"

Painting Size: 10.5” x 8.25”
Frame Size: 15.5 ” x 13.25”

Mrs. Cloud was a painter of domestic genre scenes and is recorded as having exhibited at the Royal Academy, Suffolk Street and other galleries in England. A title of one of her paintings was “The Connemara Postman”. Little seems to be known of her painting career, but she wrote several articles for “Harper’s New Monthly Magazine” (Harper & Brothers, NY) which are all about her travels as a single woman in the 1870’s and 80‘s in Ireland. Her charming pen drawings illustrate rural life and scenes in Ireland for each article. Titles include: “A Lone Woman in Ireland”(1873), "The Connemara Hills" (1879), “An Irish Fishing Village” (1880) and “Ireland - The Arran Islands” (1881)

Sources:
Graves, Algernon, "Dictionary of Artists in the Principal London Exhibitions from 1760-1893"
Wood, Christopher. "Dictionary of British Art. Vol. IV, Victorian Painters"
"Harper’s New Monthly Magazine"

Paintings : Oil : Europe : Pre 1900 item #1233032 (stock #10459)
STUDIO ANTIQUES & FINE ART, INC.
This item has been sold. It remains on our website for internet research purposes.
August Carl Vilhelm Thomsen (Danish 1813-1886)

Young Busker With His Monkey

Oil-on-canvas, signed lower right

Painting Size: 24.5” x 20”
Frame Size: 35 ” x 30.25”

Thomsen was an artist adept at painting many different subjects: landscapes, portraits, genre scenes, mythological subjects and religious scenes. He was a student at l’Académie des Beaux-Arts in Copenhagen. He painted numerous altar pieces for the churches of Copenhagen as well as the country churches of surrounding area. This sensitive painting depicts a young street musician with his hurdy-gurdy slung over his back, his monkey tucked under his arm and his outstretched hand with his hat ready to receive coins.

Source:
Benezit, E. Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs

Paintings : Oil : N. America : American : Pre 1900 item #1304881 (stock #10662)
STUDIO ANTIQUES & FINE ART, INC.
SOLD
Edmond Darch Lewis (American, 1835-1910)

Schooner off the Atlantic Coast

Watercolor on paper, signed lower left and dated “1896”

Sight Size:13" x 26"
Frame Size: 23.25" x 36"

Lewis was born and died and Philadelphia where he studied with Paul Weber from about 1850-55. According to Peter Falk ("Who Was Who in American Art"), “he was one of the most popular landscape painters of Philadelphia during the late 19th century. His early works were chiefly scenes of the Lehigh, Susquehana, and Wissihickon Rivers of Pennsylvania, and were in great demand. Before 1860 he also exhibited landscapes of New York and New England and even some Cuban scenes. By the mid 1870’s he turned increasingly to shoreline views with yachting scenes, painting prolifically in watercolor from Cape May, NJ to Narragansett, RI. Wealthy and admired, he entertained in a grand style in his opulent Philadelphia home surrounded by an extensive collection of antique furniture, china and decorative arts.”

Paintings : Oil : Europe : British : Pre 1900 item #1449420 (stock #7835)
STUDIO ANTIQUES & FINE ART, INC.
SOLD
Henry Perlee Parker (1795-1873)

“On the qui vive” (The Smuggler)

Oil on canvas , titled, signed and dated on the reverse

"QUI VIVE" (A French phrase meaning long live who? (a sentry’s challenge), used to mean a state of alertness or watchfulness.)

Painting: 30" x 25"
Frame: 36.5" x 31.5"

One of the best-known painters working in north-east England during the early nineteenth century Henry Perlee Parker specialized in pictures of marine subjects and smugglers and came to be known as "Smuggler" Parker. He was a leading artist in Newcastle in the 1820s and 1830s, a member of the Northumberland Institution, and a co-founder (with T.M. Richardson) of the ill-fated Northern Academy of Arts. He died penniless in Shepherd's Bush in 1873. There was an exhibition of his work at the Laing Art Gallery, 1969-1970.

See Wiikpedia entry for a more complete biography

Paintings : Oil : Europe : Pre 1900 item #1451448 (stock #10858)
STUDIO ANTIQUES & FINE ART, INC.
SOLD
Frants Henningsen (Danish, 1850-1908)(p) The Captain’s Tales(p) Oil-on-canvas, signed on the stretcher and dated 1889(p) Painting: 24 ¾” x 33 ¾”(p) Frame: 32 ¾” x 42”(p) SAFA/10858 Henningsen was born in Copenhagen and studied art at the Danish Academy. In 1877, he traveled to Paris and studied with Léon Bonnat. He later went on to Spain where he copied paintings in various galleries on commission. Henningsen worked in Charlottenborg painting portraits for a time, but soon found that his passion was for genre scenes of everyday life in and around Copenhagen. Henningsen received several medals for his works and in 1887 became a member of the Academy, later becoming a full professor. He was Denmark’s foremost painter of naturalistic genre of the 1880’s. His works were primarily exhibited in Copenhagen, but he did have two major exhibitions in Berlin (1886 & 1891).
Paintings : Oil : Europe : British : Pre 1900 item #1471518 (stock #10707)
STUDIO ANTIQUES & FINE ART, INC.
SOLD
Charles Baxter (English 1809-1879)(p) The Letter(p) Oil-on-canvas, signed lower right(p) Painting: 24” x 20”(p) Frame: 36” x 32”(p) Baxter was born in London the son of a bookclasp maker and started his career apprenticed to a bookbinder. He soon gave that up in favor of life as a professional portrait and miniature artist. In 1834 he began studying with portrait artist George Clint and later that year exhibited at the Royal Academy for the first time. (p) Baxter was known as a painter of charmingly pretty girls. , capturing a sweet gentleness. Female beauty was much prized in the 19th century and many such “portraits” were not exact depictions of a particular young woman, but more an homage to feminine beauty in its own right.(p) Baxter was elected to the Society of British Artists in 1842. He continued to exhibit at the Royal Academy until 1872 and also exhibited extensively at the Society of British Artists, Suffolk Street. A studio sale of his work was held at Christies in March 1879.
Paintings : Oil : Europe : Pre 1837 VR item #1126769 (stock #5184)
STUDIO ANTIQUES & FINE ART, INC.
SOLD
Christ on the Sea of Galilee

European School, early 19th century

Oil-on-canvas, unsigned

Painting: 17.25" x 21.75"
Frame:23" x 27.75"

Paintings : Pre 1837 VR item #1215877 (stock #10382)
STUDIO ANTIQUES & FINE ART, INC.
This item has been sold. It remains on our website for internet research purposes.
Frederick Calvert (British 1785-1845)

Squally Day off the Coast with Lighthouse and Unloading the Fishing Boats

Oils-on-canvas, one signed lower left

Painting Size: 10" x 14"
Frame Size: 16.5" x 20.5"

Born in Cork, Calvert first exhibited at the Dublin Society of Artists and the Hibernian Society in 1815. Upon moving to London in the 1820's, Calvert was became known as a painter of shipping and coastal scenes as well as a topographical watercolorist and engraver. Calvert exhibited at the British Institution and Society of British Artists from 1827-1844. In 1830 he published "Picturesque Views of Staffordshire and Shropshire", and he also worked for the "Archaeological Journal". His works are held by the Victoria and Albert Museum, the National Maritime Museum (Greenwich), and the Walker Art Gallery (Liverpool).

Sources:
Archibald, E.H.H. "Dictionary of Sea Painters"
Wood, Christopher. "Dictionary of British Art. Vol. IV, Victorian Painters"
Graves, Algernon, "Dictionary of Artists in the Principal London Exhibitions from 1760-1893"

 

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