"Sunset on the Potomac"

Oil on board, signed lower left and titled on the reverse

Painting: 10" x 14"
Frame: 13.5" x 17.5"

Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Max Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

"October Landscape near Brookland, D.C."

Casine on board, signed lower left and titled on the reverse

Painting: 8" x 10"
Frame: 14.5" x 16.5"

Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Max Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

"Chesapeake Beach, MD"

Oil on masonite, signed lower left and dated "1958" and titled on the reverse

Painting: 20" x 24"

Frame: 26" x 30"

Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Max Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

"September Afternoon"

Oil on Masonite, signed lower left and titled on the reverse

Ptg., 8" x 10"

Frame: 13.5" x 15.5"

Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Max Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

Blossoms and Bugs
Still Life with Flowers on a Marble Ledge

Oil-on-canvas, signed on reverse

Painting: 20 ¼” x 17 ¾”
Frame: 26 ¾” x 23” SAFA/11078

Old Willow in Winter, Anacostia

Oil-on-artist board, signed lower right and titled on reverse

Painting: 11” 14”
Frame: 17” x 20”

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"

Clearing Fog

Signed and dated: 1915

Ptg: 20"x 28"
New Frame: 28"x 34"

Born in Natick, Massachusetts, Charles Francis Browne was primarily active in Illinois as a landscape painter and teacher, and was one of the original members of the Eagle's Nest Art Colony in Oregon, Illinois. He was married to the sister of sculptor Lorado Taft.

Browne played an active role in California in 1915 when he was the superintendent of the United States section of the Panama Pacific Exposition where he won an award for painting.

He had traveled West previous to that time when, in the summer of 1895, he and sculptor Hermon Atkins MacNeil and writer Hamlin Garland took a tour of Indian reservation in Arizona and New Mexico.

Their stops included the Navajo Reservation, the Hopis at Walpi and Zuni villages, and this trip provided Browne with much material for subsequent paintings.

In 1910, Browne was Assistant Art Commissioner in South America to Buenos Aires and Santiago.

He received his art training at the Museum of Fine Arts in Boston from 1882-84 and from Thomas Eakins at the Pennsylvania Academy of Fine Arts. In Paris, from 1887-90, he studied with Jean Leon Gerome at the Academie Julian.

He became an instructor at the Art Institute of Chicago and shared a studio with George Schreiber. He was founder and editor of "Brush and Pencil" Club, president of the Chicago Society of Artists, and a member and director of the Western Society of Artists. At the Eagle's Nest Art Colony in Oregon, Illinois in the summer of 1919, he was stricken with paralysis. He died the following March at his mother's home in Waltham, Massachusetts.

Sources:

Doris Dawdy, Artists of the American West
Peter Falk, Who Was Who in American Art
Eda Hughes, Artists in California, 1786-1940

White Cat in the Tall Grass

Oil on canvas, signed lower right

Painting Size: 16” x 20” Frame Size: 22.5 “ x 26.5” 11117 Heyer was born in Haarhausen, Germany and studied at the College of Applied Arts in Berlin. In 1896 he moved to the village of Rakospalota near Budapest where he lived until his death. He began his career painting landscapes but soon began depicting animals and had a particular fondness for cats and kittens.

Sources:
Benezit. Dictionnaire des Peitnres, Sculpteurs, Dessinateurs et Graveurs
Hook & Poltimore, Popular 19th Century Painting
Thieme/Becker, Allgemeines Lexikon der bildenden Kunstle

Painting: 15.25" x 19.75"
Frame: 22" x 26"

"Stream in Autumn, near Bethesda MD."

Oil on board, signed lower left and titled on the reverse

Painting: 12" x 16"
Frame: 17" x 20.75"

SAFA/10945 Provenance: The Estate of a Toms River Collector

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

Stream in Winter

Oil-on-canvas, signed lower right (minor losses to frame)

Ptg.: 25" x 30"
Frame: 32.5" x 38.5"

SAFA/11229
August Herman Olson Rolle, painter, printmaker and graphic artist, dabbled in many activities before turning his focus to art. Born in Sibley County, MN, in 1875, his first path toward adulthood led him to Red Wing Seminary. Service in the Spanish-American War, eventually lead him to Washington, DC where he became a forestry expert for the Census Bureau.
Once in Washington, Rolle studied at the Corcoran School of Art under Messer, Brooke and Moser beginning in 1905. His specialties were landscapes and seascapes in oil and watercolor, but he also executed dryprints, woodblock prints, monotypes and etchings.
Following the tradition of his day, Rolle was active in many art societies. In addition to helping found the Landscape Club of Washington in 1915, he served as its president for many years. That was just one among a number of affiliations which also included the Sculptors and Gravers Society of Washington, the American Federation of Arts, and the Arts Club of Washington.
Rolle also exhibited at the Corcoran Gallery of Art, the old National Gallery, the Maryland Institute and at the Greater Washington Independent Exhibition of 1935. He had a joint exhibition of prints with fellow artist Benson B. Moore at Venable's Gallery in 1924.
Rolle died in Washington, DC in 1941. Today, his work is represented at the Corcoran Gallery, the Historical Society of Washington, DC, and the Arts Club of Washington. A retrospective of his work was held at the Corcoran's 1982 "Washington on the Potomac" and at the National Museum of American Art's 1984 show "The Capitol Image."

Setter with Woodcock

Watercolor on Paper, signed

Sight size:17.75" x 12.75
Unframed, Mat size: 23" x 18"

Biography:
Boris Riab (Born November 1, 1898 Boris Riabouchinsky, in Moscow, Russia. Riab died in 1975 in Saint Vincent du LorouÃr.)
Due to his families finances, Riab studied at many different art schools in Moscow.
In 1917, Riab's family fled Russia after the Bolshevik Party gained power. Pursuing hunting and sport, he traveled through out the world before he settled in France in 1927. It was then he changed his last name from Riabouchinsky to Riab.
Riab mostly painted watercolors of hunting dog portraits and wild fowl. He also printed limited edition engravings of studies of setters, spaniels, retrievers, ducks, pheasants, pointers, partridges, snipes, and woodcocks.

Magpie on a Branch

Oil on Porcelain, signed lower right

Frame: 13 ½” x 11 ½”

Floyd, a notable porcelain artist in Alexandria, learned to paint on porcelain in the early 1970’s and taught her craft in workshops for the Fairfax County Adult Education program.

She was a Pennsylvania native who attended a business college before moving to Washington in 1941 to work as a secretary in the Pentagon.

Floyd settled in Alexandria in 1963

Bullfight

Acrylic on panel, signed

Painting: 13 ¾” x 19 ½”

Muxart was a Catalan painter, part of the Grup Taüll of avant-garde artists. His work shows a strong expressionist character with structured figurative motifs. Muxart was of a generation of artists that developed during the years of the Franco regime. In 1948 he got a grant to study in Paris, where he met Picasso and decided to devote his life to art. A grant in 1952 saw him travel to Rome.

When Muxart returned home, he helped set up the Grup Taüll with six other artists (Marc Aleu, Modest Cuixart, Josep Guinovart, Jordi Mercadé, Jaume Muixart, Antoni Tàpies and Joan Josep Tharrats) in 1955. Yet, as an artist, Muxart was something of a free spirit, a value he passed on to his students at the Fine Arts faculty in Barcelona University, where he taught and would later become dean. Muxart never stopped exhibiting his work, both in Spain and abroad. In fact, his work was displayed all over the world in exhibitions in cities that included Cairo, Stockholm, London, Sao Paulo, Copenhagen, and New York.

Bethesda Oriental Restaurant

Oil on canvas, signed, located, inscribed and dated: “1983” on the reverse.

Painting size: 24” x 20”
Frame size: 29” x 25”

** Please Note - This painting came directly from the Estate of Mr. O’Brien. For other examples, type “O’Brien” into the search box.

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

Born in Newtonville, Massachusetts, O’Brien exhibited a love of drawing and painting from a very early age. As a high school student, he took all possible elective courses in art and technical drawing. He supplemented this study with evening courses at M.I.T. Following his move to Washington, DC as a young man, he enrolled in the Washington Workshop of the Arts. WWA, like the Art Students League in New York City, was a school in which all the classes were taught by a rotating roster of professional artists.

During WW II, his technical artistic training served his country well when he was put to work as a map maker. In the final year of the war, O’Brien married. On his honeymoon in New York City, he found time to paint the rooftop view from his hotel room window. This initiated a lifelong pursuit of city painting (his family was inclined to call it an obsession).

Starting with the founding of Federal Graphics, a commercial art firm he launched with a partner in 1947, he pursued a commercial career for the majority of his life. However, he always considered painting his “real” work, and his dedication to this vocation was apparent in a myriad of ways. He helped to found the Montgomery County Art Association and held memberships in the Arts Council of Montgomery County and American Art League.

Throughout his life, he exhibited widely, both as an individual and in group shows. The Arts Club of Washington, Corcoran Gallery of Art, Brooklyn Museum of Art, Montgomery College, and the Rehoboth Art League were a few among the many venues at which his works were shown. In addition, he exhibited in several private galleries.

Squally Day off the Coast with Lighthouse and Unloading the Fishing Boats

Oils-on-canvas, one signed lower left

Painting Size: 10"� x 14"
Frame Size: 16.5" x 20.5"

Born in Cork, Calvert first exhibited at the Dublin Society of Artists and the Hibernian Society in 1815. Upon moving to London in the 1820's, Calvert was became known as a painter of shipping and coastal scenes as well as a topographical watercolorist and engraver. Calvert exhibited at the British Institution and Society of British Artists from 1827-1844. In 1830 he published "Picturesque Views of Staffordshire and Shropshire", and he also worked for the "Archaeological Journal". His works are held by the Victoria and Albert Museum, the National Maritime Museum (Greenwich), and the Walker Art Gallery (Liverpool).

Sources:
Archibald, E.H.H. "Dictionary of Sea Painters"
Wood, Christopher. "Dictionary of British Art. Vol. IV, Victorian Painters"
Graves, Algernon, "Dictionary of Artists in the Principal London Exhibitions from 1760-1893"

Charles Lanman (American, 1819-1895)

Oil on paper laid-down, signed.

Lanman is listed in The Artists of Washington, DC 1796-1996 by McMahan.

Painting size: 11” x 15”
Frame size: 16” x 20”

James Curnock (British, 1812-1870)

Oil on canvas, signed.

A resident of Bristol, Curnock was best known for his portraits and figure subjects. He exhibited at both the Royal Academy and the Society of British Artists, Suffolk Street. His work is held in the permanent collection of the Bristol Art Gallery.

Curnock is listed in the Dictionary of British Artists, Vol. IV, Victorian Painters by Wood.

Painting size: 19” x 24”
Frame size: 25” x 31”

James John Hill (British, 1811-1882)

Oil on canvas, signed and dated: “(18__)” and retainging its original gilt wood and gesso frame.

Painting size: 12” x 10”
Frame size: 32” x 42”