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SUBCATEGORIES Featured Items (2) Lacquer Named Kabuki Actor Portrait Box, Daihachi Role
A 20th Century Bizen Kogo Depicting A Reclining Sage or Monk
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Spoils of Time (7)
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Architectural : Interior : Pre 1900
item #1446986
(stock #11168)
The royal coat of arms of the United Kingdom, or the royal arms for short, is the official coat of arms of the British monarch,[1][2] currently Queen Elizabeth II. These arms are used by the Queen in her official capacity as monarch of the United Kingdom.
Late 1800s 12.5 "tall 24" wide 2.5" deep, mounted on an ebonized wood base
Architectural : Interior : Pre 1900
item #1383783
(stock #11024)
Large Antique Anglo-Indian Brass Document Box having a stepped lid surmounted by a carrying handle and heavily incised with scrolling vine and floral decoration. Late 19th/early 20th Century
$675.
16" x 11" x 4" tall
Classic Antique English Child's Windsor Armchair in various woods with a hooped back, shaped seat and turned legs joined by an 'H' stretcher. Circa 1870.
Seat height: 12"
Architectural : Decorations : Pre 1837 VR
item #1459063
(stock #RMT-135)
Charming Antique English Hanging Cutlery Box in oak, banded in mahogany and inlaid with a knife and fork, having a hinged lid and carved crest rail. Circa 1800.
7.5" x 5" x18.75 "tall
Architectural : Interior : Pre 1800
item #1474119
(stock #7769)
Fine 18th century English single compartment tea caddy in harewood, having hinged rectangular top with boxwood stringing and bone pull and escutcheon opening to an inner lid. Circa 1780.
Architectural : Interior : Pre 1837 VR
item #1485884
(stock #RMT-657)
Rare Child’s Miniature Tole Tea Caddy of Sarcophagus Form, having a shaped lid surmounted by a cast brass knop and with paw form feet: decorated with “smoke” graining and on the front a patera of polychrome flowers. American or English. Circa 1810. (Losses) Provenance: The Cockrell Collection. 3” x 2.25” x 3.5”
Exceptional English Domed Top Tea caddy in harewood with satinwood stringing and brass carrying handles and interior fitted with compartments for teas and sugar bowl. Circa 1800.
Height: 6.75" Three 18th-century English Landscapes
Oils on paper, unsigned.
Painting size: 3” x 4.5” (Approximately) Travelers in an Alpine Landscape
Swiss or German School, circa 1860. Oil on paper, with a gilt sand mat.
Painting Size: 6” x 4.5” Oval Antique English Umbrella or Cane Stand made from an oval brass bound barrel with oak staves. Now fitted with a divided top and interior tin drip tray. 18th/19th Century.
16" x 13" x 24.5" tall
Paintings : Watercolor : Pre 1910
item #1378572
(stock #10993)
Slightly Bawdy Cut Sihoulette of dancing man and woman by Charles Handrup, signed and located "Paris" and dated "1909"
Sight Size: 6.5" x 8.5" Handrup was a Danish Silhouettist who lived in London between the wars. For years he ran a Silhouette Parlour at D.H.Evans Department Store in Oxford Street. Handrup was awarded a silver medal at the Empire Exhibition at Londons Crystal Palace. Printed on the reverse of some of his poatcards is the statement: : " This Silhouette Portrait is executed entirely freehand by Handrup, who begs to observe that his likenesses are executed by the Scissors alone and are preferable to any taken by machines inasmuch by the Scissor process the passions and peculiarities of Character are brought more into action. Silver Medal awarded Festival of Empire Crystal Palace 1911. "
Paintings : Watercolor : Pre 1900
item #1216942
(stock #7656)
A By-path
Henry Hobart Nichols, Jr. (American, 1869-1962) Watercolor on paper, signed and dated: “1897”. Exhibited at the Third Annual Washington Water Color Club, 1898. Illustrated in McMahan, The Artists of Washington, DC: 1796-1996, p. 158. Provenance: from the Estate of Virgil McMahan. A painter and illustrator, Nichols was a member of quite an artistic family. His father, brother and wife were all professional painters as well. He had diverse training beginning with instruction from Howard Helmick. He also attended the Art Students League of Washington before heading to Europe. In Europe, he studied at both the Froebel Institute in Germany and at the Academie Julian in France. His early career (1889-1905) included a position on the Board of the Art Students League, as well as employ by the U.S. government. He worked as an illustrator for both the U.S. Geological Society and the Bureau of American Ethnology. A member of the Washington Watercolor Club and Society of Washington Artists, Nichols favored subject was landscapes. Nichols is listed in Who Was Who in American Art by Falk.
Sight size: 13” x 9.5” ** For other paintings by artists from Maryland, Virginia or Washington DC, type “local” into the search box.
Antique Carved Oak Statue of a Monk holding a book and seated on a curved bench. Probably American, circa 1880.
9" x 9" x 14" tall
Architectural : Interior : Pre 1900
item #1367291
(stock #6786)
Antique Carved And Gilt Wood Oval Mirror with foliate carved decoration. (Gilding darkened)
Mirror: 23" X 19.5" **Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it. Benson Bond Moore
(American 1882-1974)
"Autumn in Maryland" Oil on board, signed lower left and titled and dated "Oct. 1952" on the reverse
Painting: 9" x 12" SAFA/10979 Provenance: The Estate of a Toms River Collector ** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Max Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father. Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art. As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.
Sources: Benson Bond Moore
(American 1882-1974)
"September Afternoon" Oil on Masonite, signed lower left and titled on the reverse Ptg., 8" x 10" Frame: 13.5" x 15.5" Provenance: The Estate of a Toms River Collector ** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Max Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father. Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art. As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.
Sources:
Henry Maidment signing as R. Fenson
(British, fl. 1889-1914)
Stepping Stones Oil on canvas, signed
Painting size: 9” x 12” Maidment was a painter in oil of rural scenes and landscapes. He is variously catalogued as Robin or Robert Fenson but usually just signed “R. Fenson” in red, often with a date. This was a pseudonym for Henry Maidment who also was known to have signed “A. Wynn”. Dated examples of his work have been seen spanning from 1898 until 1914. The quality of his paintings and the decorative subject matter have fueled an ever growing demand for Maidment’s work.
Source: La Maison Carrée, Nîmes, France
Miniature oval watercolor, framed. Oval 1.25" x 1.75" La Maison Carrée is one of the best preserved temples of the Roman Empire and was a major influence during the Classical Revival, inspiring Thomas Jefferson's design for the Virginia State Capitol.
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