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Paintings : Oil : Europe : Pre 1900 item #1233032 (stock #10459)
STUDIO ANTIQUES & FINE ART, INC.
This item has been sold. It remains on our website for internet research purposes.
August Carl Vilhelm Thomsen (Danish 1813-1886)

Young Busker With His Monkey

Oil-on-canvas, signed lower right

Painting Size: 24.5” x 20”
Frame Size: 35 ” x 30.25”

Thomsen was an artist adept at painting many different subjects: landscapes, portraits, genre scenes, mythological subjects and religious scenes. He was a student at l’Académie des Beaux-Arts in Copenhagen. He painted numerous altar pieces for the churches of Copenhagen as well as the country churches of surrounding area. This sensitive painting depicts a young street musician with his hurdy-gurdy slung over his back, his monkey tucked under his arm and his outstretched hand with his hat ready to receive coins.

Source:
Benezit, E. Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs

Sculpture : Metal : Pre 1900 item #1234175 (stock #10468)
STUDIO ANTIQUES & FINE ART, INC.
This item has been sold. It remains on our website for internet research purposes.
Wilhelm Engelhard (German, 1813-1902)

"Lorelei" a Bronzed Spelter Sculpture

Signed and Dated in the Cast: "1852"

Height: 20"

Wilhelm Englehard trained as a sculptor first in Paris and then in London, In 1839 he became a pupil of Thorwaldsen in Copenhagen and in 1841 a pupil of Schwanthaler in Munich.

Englehard is known for his sculptures of mythological groups, single figures and genre pieces, most often in limestone. Some of his works are the statues of “Odin,” “Thor,” and the “Valkyries.” In 1851 he began on his masterwork, the “Edda Frieze” which depicts scenes from Norse mythology. He produced contour drawings of the frieze for the Great Exhibition in London of that year which helped him to win some acclaim. In 1855 he traveled to Rome where he executed several life-size marble statues including a “Lorelei.” At the request of King George V of Hanover, Englehard sculpted his Edda Frieze in plaster in the entry hall of the Marienburg Palace. It was 112 feet long and 3 feet high.

Englehard became a member of the Hanover Artist Association in 1850 and in 1869 he became a professor at the Polytechnic School in Hanover.

Sources:
Hermanowski, Paul, “Die Deutsche Götterlehre und ihre Verwertung in Kunst und Dichtung”
Thieme-Becker, ed. “Allgemeines Lexikon der bildenden Künstler vonder Antike bis zu Gegenwart”

 

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