Antique English Bagatelle Box in Mahogany with original wooden insert and later ball and cues, now mounted on a metal stand.

Circa 1840

Bagatelle was a billiards-derived indoor table game, the object of which was to get a number of balls past wooden pins into holes that are guarded by wooden pegs; penalties were incurred if the pegs are knocked over.

36" x 17.75" x 18.5" tall (closed)

Charming Portrait of a Horse, his Trainer and Jockey

English School, 1834

Oil laid down to panel

"The Cardinal" was an Irish horse (owned by a Mr. Miles) who won The Chester Cup in 1834

Painting: 10" x 14.25"
Frame:16" x 20"

Tea Chest in the Form of a Sideboard, in mahogany and deal, having a rectangular hinged top with shaped and carved backsplash, opening to a felt lined interior with two compartments for teaspoons and a moulded crystal sugarbowl. The front with a starburst pierced central panel flanked by hinged doors with applied plinth-form decoration and opening to foil lined drawers for green and black teas.

William Smee & Sons, London, published a catalog of furniture designs in 1850 which had sideboards of similar form. (See Pictorial Dictionary of British 19th Century Furniture Designs by Edward Joy, pp 435-36.)

Exhibited: The 48th Washington Antique Show, “Inside and Outside the Box”.

English Circa 1840.

13.25” x 7” x 11.25” (Non-working key)

Rare English Regency Tea Chest in rosewood, of sarcophagus form with a paneled lid opening to a fitted interior retaining a pair of Anglo-Irish cut glass tea caddies and sugar bowl and original felt lining under the lid, circa 1830.

Cut crystal containers were very expensive at this time, almost as expensive as silver. It is very unusual for tea chests to retain their original crystal fittings.

13" x 6.75" x 8" tall

Rare Large Pair of Antique Wall Appliques, carved and gilt wood in the form of flowers in baskets.

French or Italian, 18th/19th Century

30"tall x 23"wide x 2''deep

Antique Regency Music or Reading Stand in mahogany, having an adjustable sloped top above, supported by a turned shaft with adjustable height and ending in three down swept legs with replaced ebonized ball form feet.
English, circa 1810

Height closed: 29.5", raised:42.5" Top:12"x 15" (minor scratches to top)

Rare English Regency Hawksbill and Greenback Tortoiseshell Tea Caddy with ivory and pewter stringing, having cut corners and a bowed front panel with pressed tortoise in concentric ovals with fan corners and central inlaid silver oval with leafage border; the bowed lid surmounted by a ball finial and the whole raised on ball feet. Circa 1800-15. (Key). Height, 6”; Length, 8”; Depth, 4.75.”

Rare Child’s Miniature Tole Tea Caddy of Sarcophagus Form, having a shaped lid surmounted by a cast brass knop and with paw form feet: decorated with “smoke” graining and on the front a patera of polychrome flowers. American or English. Circa 1810. (Losses) Provenance: The Cockrell Collection. 3” x 2.25” x 3.5”

Rare Chinese Export Child’s Black Lacquer Tea Caddy with stepped lid and shaped body having gilt decoration of figures in courtyards and raised on carved dragon form feet. Circa 1820-1830. See our #581, #701 and #702 for related examples.
5.25” x 3.75” x 4”

Rare Antique Chinese Export red lacquer melon-form tea caddy with six loebed sides, three gilt dragon paw feet, gilt decoration of figures in gardens on body and hinged lid with carved “stem,” opening to a similarly shaped tin liner. Circa 1825. Height, 5.5”; Diameter, 6.25” Gourds and mellons had a particular significance in Chinese culture.

See: ”Antique Boxes”by Clark and O’Kelly, figure #238 and our #620 for a similar example.

#530 Antique Anglo-Indian Tea Chest, sandalwood overlaid with strips of elk horn. The box is rectangular with sloped sides. The elk horn on the top of the stepped, sloping lid arranged in a starburst pattern. The fitted interior is decorated with incised ivory panels, highlighted with lac, a similarly decorated pair of removable caddies and a circular cut crystal sugar bowl and a horn caddy spoon. (The squashed ball feet are later replacements. Lid lack support). Valtair, Vizagapatam, possibly by Chinniah, ca. 1840-50. See: Furniture from British India and Ceylon by Amin Jaffer, #61 for a similar workbox. Exhibited: The 48th Washington Antiques Show, “Inside and Outside the Box.” Height, 9”; Width, 14.75”; Depth, 8.5”.

LATE GEORGE III W.&T.M. BARDIN 18-INCH TERRESTRIAL GLOBE ON STAND 
additions to 1807, dedicated to Sir Joseph Banks, the globe in etched brass frame resting on a corona with months and zodiac on turned support with tapering downswept legs with brass casters

Dimensions: Height: 41 in. (104.1 cm.), Diameter: 24 in. (61 cm.)

This terrestrial globe is supported on a wooden tri-pod pedestal, surrounded by a wooden horizon circle, and it is equipped with a brass meridian . The cartouche in the Pacific Ocean displays a seated female figure of Britannia, a seated woman holding an astronomical quadrant, and a small portrait of Joseph Banks. The text below reads: “To the Rt Honorable / SIR JOSEPH BANKS, BART K. B. / This New British Terrestrial Globe / containing all the latest Discoveries and Communications, from the most / correct and authentic Observations and surveys, to the year 1798 / by Captn Cook and more recent Navigators, Engraved on / an accurate Drawing by Mr Arrowsmith Geographer / Is respectfully dedicated / by his most obedient hble servants / W. & T. M. Bardin / 230” A text below reads: “Manufactured & Sold Wholesale & Retail by W. & T. M. BARDIN / 16 Salisbury Square Fleet Street London”

William Bardin (fl. 1730-1798) was a London artisan who began making globes around 1780. Ten years later, now partnership with his son, Thomas Marriott Bardin (1768-1819), he began trading as W. & T. M. Bardin. The 18-inch globes, their most ambitious, were introduced in 1798, and remained in production, by successor firms, for a half century.

Similar globe is in the collection of National Museum of American History

Theodore Hermann William Koppen (German, 1828-1903)

California Condors, Morro Bay

Oil on canvas, signed and dated: “1893”.

Painting size: 21.5” x 29.5”
Frame size: 30.25” x 38.75”

Koppen was born in Brake, Germany and died in Nymphenbourg. He was known for his paintings of marine and historical scenes, as well as portraits.

He is listed in Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Bénézit.

Antique English Regency style child's high chair in mahogany with caned seat and back, with a replaced adjustable footrest, turned cross stretcher and detachable turned leg stand. The stand can then serve as a small table when used with the chair.Late 19th century.

Height: 36”
Width: 17”
Depth: 14.5”

Eavesdropping

Oil on panel, signed and dated: “1865.”

Painting size: 9” x 6.75”
Frame size: 14.5” x 12.5”

Petrus Theodorus Van Wyngaerdt (also spelled Wyngaerdt or Wijngaerdt) was born in Rotterdam. A student of J.H. Van de Laar, he painted genre scenes and portraits, as did his older brother, painter Anthonie Jacobus Van Wyngaerdt.

In "Eavesdropping", Van Wyngaerdt depicts a well-known theme from popular 19th-century French and Dutch prints-- a Roccoco figure listening at a door while a private conversation (or event) is underway. The women’s yellow skirt, pink bodice and lacy cap suggest that she is a lady (of sorts) and her plump arms, pretty features and sly expression suggest what may be going on behind closed doors.

Van Wyngaerdt’s work can be found in the collections of the Haarlem Museum. He is listed in Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs (Bénézit, 1999).

Rare antique British folding campaign desk in mahogany having hinged leather lined writing surface that folds for transport. Circa 1860-70.

Height: 29”
Length (open): 24”
Width: 24”

See British Campaign Furniture, Elegance Under Canvas,1740-1914 by Nicholas Brawer for similar examples.

Fine pair of Antique French Louis XVI style ormolu candlesticks with circular bases with laurel leaf decoration and tapered, fluted shafts with applied laurel swags. Late 19th-century, now wired as lamps.

Provenance: from the collection of Ron Van Swerengen

Height to Shade: 25.5”

Antique bronze Paperweight in the form of a of a crushed fedora hat, Continental, late 19th century.

Length: 6.125”
Height: 2.25”