19th Century British School

"Warmiing Up" Jockey Galloping a Horse with a Plaited Mane

Oil on Canvas , signed"WV"

Painting: 16" x 24"
Frame: 20.75" x 28.5"

Adam Emory Albright (American 1862-1957 )

The Valley

Oil-on-canvas, signed lower right and dated 1916

Exhibited: The Art Institute of Chicago, "Pictures of Children Painted in South America and Southern California by Adam Emory Albright, 1920, #29”

Painting: 24” x 30”
Frame: 30 ½” x 36 ½”

Albright, born in Wisconsin, was, according to William Gerdts (Art Across America, Vol. 2), “The finest Paris trained figure painter to emerge immediately before the World’s Columbian Exposition.” He was one of the first students at the newly established Art Institute of Chicago from 1881-1883. From 1883-1886, he studied with Thomas Eakins at the Pennsylvania Academy of Fine Arts. After some training in Munich with fellow Wisconsin artist, Carl Marr, Albright studied in Paris with Benjamin Constant.

In 1888, Albright established his studio in Chicago and became president of the Chicago Watercolor Club as well as a member of the Chicago Academy of Design.

Early in his career, he chose to focus on paintings of children for which he became famous. At first specializing in street urchins and rustic children in outdoor settings, his work became more colorful and sun-filled following his greater exposure to impressionism at the Columbian Exposition.

The birth of Albright’s twin sons in 1897 gave him new models and his subsequent work featured the growing boys posed in rural surroundings. From 1908, many of his finest works were painted during summers at the art colony in Brown County, Indiana.

Albright’s popularity is reflected in his numerous exhibitions and in the extensive contemporary literature about him. Again according to Gerdts, “No other Chicago artist’s work was so widely exhibited at the Art Institute . . .”

Lina Krause (German,1857-19)

Old Master Style Still Life

Oil on Panel, signed

Provanance: Noortman Master Paintings, Maastrick

Painting: 9.75" x 7.25"
Frame: 16" x 13.75"

Lucien Whiting Powell (American 1846-1930)

Bayou Oil-on-canvas, signed lower left

Provenance: Senator John B. Henderson (1826-1913)

Painting: 23” x 37”
Frame: 27” x 41”

Born 1846 in Upperville, Lucien Whiting Powell served with the Virginia cavalry during the Civil War. After attending the Pennsylvania Academy of Fine Arts, Powell moved on to the London School of Art by 1875 where he was strongly influenced by the atmospheric painting style and romantic subject matter of J.M.W. Turner.

Powell eventually settled in Washington D.C. where he had a series of different studios, the most noted one at Henderson’s “Castle” on 16th Street owned by his formidable patron, Mrs. John B. Henderson. Perhaps with a certain proprietary attitude towards the artist, Mrs. Henderson owned some 200 of his watercolors and works on canvas and funded his tour of the Middle East in 1910.

An avid traveler, Powell also toured the American West in 1901. His best known works are landscapes of the Grand Canyon as well as land- and seascapes of Venice. In Street Scene in Florence, Italy, a casual gathering of women proffer goods under cloth and wooden awnings in an open square. Powell’s warm, earthy palate and loose, painterly rendering reflect his admiration of Turner.

Though he ventured far afield, Powell achieved considerable recognition in the District; his works were collected by Franklin Delano Roosevelt and Mrs. Woodrow Wilson. He also exhibited regularly at the Corcoran and was a member of the Society of Washington Artists. Powell’s work is currently represented in the collections of American University, Georgetown University, the U.S. State Department and the Historical Society of Washington, D.C

Sources:

Falk, Peter, ed. Who Was Who in American Art 1564-1975
McMahan, Virgil. The Artists of Washington, D.C. 1796-1996** For other paintings by artists from Maryland, Virginia or Washington DC, type “local” into the search box.

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

James Francis O’Brien (American, 1917-1996)

Bethesda

Oil on canvas, signed lower left and titled on the reverse.

Painting size: 20” x 24” Frame size: 25.5” x 29”

** Please Note - This painting came directly from the Estate of Mr. O’Brien. For other examples, type “O’Brien” into the search box.

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

Born in Newtonville, Massachusetts, O’Brien exhibited a love of drawing and painting from a very early age. As a high school student, he took all possible elective courses in art and technical drawing. He supplemented this study with evening courses at M.I.T. Following his move to Washington, DC as a young man, he enrolled in the Washington Workshop of the Arts. WWA, like the Art Students League in New York City, was a school in which all the classes were taught by a rotating roster of professional artists.

During WW II, his technical artistic training served his country well when he was put to work as a map maker. In the final year of the war, O’Brien married. On his honeymoon in New York City, he found time to paint the rooftop view from his hotel room window. This initiated a lifelong pursuit of city painting (his family was inclined to call it an obsession).

Starting with the founding of Federal Graphics, a commercial art firm he launched with a partner in 1947, he pursued a commercial career for the majority of his life. However, he always considered painting his “real” work, and his dedication to this vocation was apparent in a myriad of ways. He helped to found the Montgomery County Art Association and held memberships in the Arts Council of Montgomery County and American Art League.

Throughout his life, he exhibited widely, both as an individual and in group shows. The Arts Club of Washington, Corcoran Gallery of Art, Brooklyn Museum of Art, Montgomery College, and the Rehoboth Art League were a few among the many venues at which his works were shown. In addition, he exhibited in several private galleries.

During the course of his painting, O’Brien noticed that the paints on his palette sometimes mixed into designs as interesting as those more deliberately created. From this observation arose the text, Design By Accident, first published in 1968. The book became widely used by art teachers following very favorably reviews by newspapers and magazines. It was even reviewed by Scientific American from a technological-aesthetic.

A draftsman, illustrator, writer and most importantly painter, O’Brien was fortunate to have his work recognised and appreciated during his life. He won awards from The Montgomery County Art Association, Rehoboth Art League and American Art League. Even art critics praised his work with the most succinct calling his paintings, “familiar scenes, fresher and lighter than life”. (Florence Berryman of The Washington Star)

O’Brien believed that the “creative urge” was something all children have. However, as adults, that impulse falls victim to ever growing demands and responsibilities. He maintained that artists are able to keep alive the childlike ability to see beauty and mystery in commonplace things.

Thanks to his sense of wonder, he left us deeply in his debt. His paintings remind us that every day that Washington, DC is full of inspiring sights that fall outside of the traditional “glamour” views depicted by most artists.

British Three Masted Ship in the Bay of Naples

Italian School, Circa 1870.

Before photography, ship captains, owners or pasangers would commission local artists to paint their ship in foriegn ports, Here we see a ship in the Bay of Naples with Mount Vesuvius in the background

Ptg. : 10.5" x 16"
Frame: 13" x 18"

American School, Early 19th Century

Carib Indians Around a Jungle Campfire, with a Piton in the Background

Oil on canvas, signed indistinctly on the stretcher. Mid 19th century carved wood, compo and gilt frame

Painting Size: 9.25” x 12”
Frame Size: 13.5” x 16.5”

English School, early 19th century

Portrait of a Woman in Lace Cap

Oil on panel.

Provenance: J. Davey & Sons, Manchester, England

Painting size: 8.5” x 7”
Frame size: 11.5” x 10”

Charming Portrait of a Horse, his Trainer and Jockey

English School, 1834

Oil laid down to panel

"The Cardinal" was an Irish horse (owned by a Mr. Miles) who won The Chester Cup in 1834

Painting: 10" x 14.25"
Frame:16" x 20"

Benson Bond Moore (American 1882-1974)

"Summer on Chesapeake Bay, MD"

Oil on canvas, signed lower right and titled on the reverse

Painting: 22" x 24"
Frame: 29.5" x 32.25"

Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

Benson Bond Moore (American 1882-1974)

"Chesapeake Beach, MD"

Oil on masonite, signed lower left and dated "1958" and titled on the reverse

Painting: 20" x 24"

Frame: 26" x 30"

Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Max Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

Slightly Bawdy Cut Sihoulette of dancing man and woman by Charles Handrup, signed and located "Paris" and dated "1909"

Sight Size: 6.5" x 8.5"
Frame: 13" x 14.25"

Handrup was a Danish Silhouettist who lived in London between the wars. For years he ran a Silhouette Parlour at D.H.Evans Department Store in Oxford Street. Handrup was awarded a silver medal at the Empire Exhibition at Londons Crystal Palace. Printed on the reverse of some of his poatcards is the statement: : " This Silhouette Portrait is executed entirely freehand by Handrup, who begs to observe that his likenesses are executed by the Scissors alone and are preferable to any taken by machines inasmuch by the Scissor process the passions and peculiarities of Character are brought more into action. Silver Medal awarded Festival of Empire Crystal Palace 1911. "

Dirk Ocker (Dutch, 1882-1958)

Blossoms and Bugs
Still Life with Flowers on a Marble Ledge

Oil-on-canvas, signed on reverse

Painting: 20 ¼” x 17 ¾”
Frame: 26 ¾” x 23” SAFA/11078

Benson Bond Moore (American,1882-1974)

Autumn in the Blue Ridge Mountains (near Emmittsburg, PA[sic]) 1955

Oil on board, signed lower left and dated “1955”. Titled on the reverse

Painting Size: 15.5” x 19.5”
Frame Size: 23.5” x 27.5”

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources: Consentino, Andrew and Glassie, Henry, The Capital Image, Painters in Washington, 1800-1915
McMahan, Virgil, The Artists of Washington, D.C. 1796-1996

English School (ca. 1850-1870)

Two Antique English miniature watercolors with printed borders.

Frame size: 7.5" x 8.5"

Henry Maidment (British, fl. 1889-1914)

Farm by a Pond

Oil on canvas, signed lower right

Painting: 24" x 30"
Frame: 30" x 42"

Maidment was a painter in oil of rural scenes and landscapes. He also used the pseudonyms of "R. Fenson" and “A. Wynn”. Dated examples of his work have been seen spanning from 1898 until 1914. The high quality of the painting and decorative subject matter have fueled an ever growing demand for Maidment’s work.

Source:
Wood, Jeremy. "Hidden Talents, A Dictionary of Neglected Artists working 1880-1950"

Benson Bond Moore (American 1882-1974)

"Incomimg Tide, Fort Lauderdale, FLA"

Oil on board, signed lower right and titled on the reverse

Painting: 10" x 14"
Frame: 17" x 21.25"

Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

Exceptional Grand Tour Micro-mosaic plaque with an extremely fine oval micro-mosaic image of the Pantheon in Rome: on a cartouche shaped black marble ground, with an oval malachite surround. Italian circa 1860.

4" x 3"