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Antique Louis XVI Style Carved Giltwood Mirror browse these categories for related items... All Items: Architectural: Decorations: Pre 1900: item #646436
$5,700. |
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| An Antique Louis XVI-Style Carved Giltwood Mirror, mid-19th c., the crest with quiver arrows and torch bound by a beribboned garland, swagged garlands to the sides, beaded and faceted frame ending in acanthus pendants, H:58" W:35" This particular mirror has a provenance from the Sewell Showroom in New Orleans. From the late 17th century onward, mirrors—and their frames—played an increasingly important part in the decoration of rooms. The early frames were usually of ivory, silver, ebony, or tortoiseshell or were veneered with marquetry of walnut, olive, and laburnum. Needlework and bead frames were also to be found. Craftsmen such as Grinling Gibbons (1648–1721) often produced elaborately carved mirror frames to match a complete decorative ensemble. The tradition soon became established of incorporating a mirror into the space over the mantelpiece: many of the early versions of these mirrors, usually known as overmantels, were enclosed in glass frames. The architectural structure of which these mirrors formed a part became progressively more elaborate.and the decorative effect of the mirrors. On the whole, mirror frames reflected the general taste of the time and were often changed to accommodate alterations in taste, frames usually being cheaper and hence more easily replaced than the mirror itself. By the end of the 18th century, painted decoration largely supplanted carving on mirrors, the frames being decorated with floral patterns or classical ornaments. At the same time, the French started producing circular mirrors, usually surrounded by a Neoclassical gilt frame that sometimes supported candlesticks, which enjoyed great popularity well into the 19th century. Improved skill in mirror making also made possible the introduction of the cheval glass, a freestanding full-length mirror, supported on a frame with four feet. These were mainly used for dressing purposes, though occasionally they had a decorative function. | ||