Small George III Writing Table in mahogany with a rectangular, hinged ratcheting top, two candle slides and a removable book rest on a turned, adjustable height pedestal base with tripod legs and slipper feet ending in brass castors. English, circa 1760

h:29 w:22 d:18.75 in.

Fine George III Oval Brass Bound Peat Bucket with oak staves and brass banding, liner and loop handle. English, Circa 1780.

10" x 13"

19th Century British School

"Warmiing Up" Jockey Galloping a Horse with a Plaited Mane

Oil on Canvas , signed"WV"

Painting: 16" x 24"
Frame: 20.75" x 28.5"

Cartouche-shaped black marble plaque inset with oval micromosaic panels depicting Roman archaeological scenes (clockwise from upper left): the Coliseum, the Temple of Hercules, the Roman Forum and the Pantheon. Those four panels surround the Doves of Pliny, an image often used in micromosaics, which comes from a Roman floor mosaic at Hadrian’s villa in Tivoli and is believed to be a copy of a lost ancient Greek mosaic at Pergamon described by Pliny the elder.

Such items were collected by visitors to Italy on the Grand Tour as they were easily portable. Micromosaics began to be made in Italy during the Renaissance and reached the height of their popularity in the mid nineteenth century. This example was made from the smallest pieces of glass (tesserae), a technique developed in the 18th century in the Vatican Mosaic Workshop.

The edge of the plaque is incised and and would have originally been wrapped with a braided gilt-metal rope, tied at the top for hanging.

Circa 1850-1875

5 ¼” x 4”

Source: The Victoria and Albert Museum, the Gilbert Collection

(Minor chips to the edges.)

Adam Emory Albright (American 1862-1957 )

The Valley

Oil-on-canvas, signed lower right and dated 1916

Exhibited: The Art Institute of Chicago, "Pictures of Children Painted in South America and Southern California by Adam Emory Albright, 1920, #29”

Painting: 24” x 30”
Frame: 30 ½” x 36 ½”

Albright, born in Wisconsin, was, according to William Gerdts (Art Across America, Vol. 2), “The finest Paris trained figure painter to emerge immediately before the World’s Columbian Exposition.” He was one of the first students at the newly established Art Institute of Chicago from 1881-1883. From 1883-1886, he studied with Thomas Eakins at the Pennsylvania Academy of Fine Arts. After some training in Munich with fellow Wisconsin artist, Carl Marr, Albright studied in Paris with Benjamin Constant.

In 1888, Albright established his studio in Chicago and became president of the Chicago Watercolor Club as well as a member of the Chicago Academy of Design.

Early in his career, he chose to focus on paintings of children for which he became famous. At first specializing in street urchins and rustic children in outdoor settings, his work became more colorful and sun-filled following his greater exposure to impressionism at the Columbian Exposition.

The birth of Albright’s twin sons in 1897 gave him new models and his subsequent work featured the growing boys posed in rural surroundings. From 1908, many of his finest works were painted during summers at the art colony in Brown County, Indiana.

Albright’s popularity is reflected in his numerous exhibitions and in the extensive contemporary literature about him. Again according to Gerdts, “No other Chicago artist’s work was so widely exhibited at the Art Institute . . .”

Alfred Wordsworth Thompson (American 1840-1896)

Lake Scene in Western Maryland

Oil-on-canvas, signed lower right and dated “1861”

Painting Size: 8 ½”” x 16”
Frame Size: 12.5” x 20”

Thompson was a landscape, historical and portrait painter, born in Baltimore where he studied law with his father. In 1859 Thompson decided to become and artist and opened a studio in Baltimore. During the first year of the Civil War (1860) he worked as a combat artist for Harper’s Weekly and the Illustrated London News, primarily illustrating battles in Virginia. In 1861, the year this painting is dated, he left to study in Paris at the École des Beaux Arts with Gleyre, Lambinet and Pasini. He also traveled to Italy and Germany before establishing his studio in New York City in 1868. He made several return trips to France, Spain, North Africa and the Mediterranean. In addition to his travel landscapes, many of his exhibited works were of colonial revolutionary subjects.

Thompson was a founding member of the Society of American Artists and a member of the National Academy of Design. He exhibited extensively including at the Paris Salon, the Pennsylvania Academy of Fine Art, the Paris Expo of 1878 and the National Academy of Design.

Sources:
Falk, Peter, ed. Who Was Who in American Art 1564-1975
Wright, R. Lewis. Artists in Virginia Before 1900

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

Tabletop Still Life with Fruit A lithograph by C.H. Crosby & Co., 1874, in a folk art carved frame.

Print size: 5.25” x 7.5”
Frame size (max): 10.5” x 12.5”

Charming American Miniature Blanket Chest in chestnut, having a hinged moulded edge top opening to a well, a single lower drawer and raised on straight bracket feet. Note the fine dovetail work on the sides.

American 1780-1800.

Many miniatures are labeled as "salesman's samples" but many were the work of apprentices to show their skills to the master craftsman.

12.5 x 7" x 8.5" tall
(one back foot ended out)

Large Antique Anglo-Indian Brass Document Box having a stepped lid surmounted by a carrying handle and heavily incised with scrolling vine and floral decoration. Late 19th/early 20th Century $675. 16" x 11" x 4" tall

Antique Anglo-Indian carved sandlewood box with nail decoration, ivory banding, velvet lining and paw form ivory feet. Circa 1875.

6" x 4.5"x 2.5" tall

Antique Bird's-Eye Maple Tea Caddy of sarcophagus form having a hinged, canted lid with line inlay, lions head brass carrying handles and pressed brass ball form feet. Probably American, circa 1820.

0.5" x 6" x 6.5" tall

The Scottish Traveler

British School, Circa 1870

Charming Genre Scene showing a traveler beseiged by begging children. The Victorians loved this type of painting that "tells a story", Note how the little girl staring straight out pulls you into the picture

Ptg: 27" x 33"
Frame: 32.5" x 38.5"

Antique bronze Paperweight in the form of a of a crushed fedora hat, Continental, late 19th century.

Length: 6.125”
Height: 2.25”

Antique Carved And Gilt Wood Oval Mirror with foliate carved decoration. (Gilding darkened)

Mirror: 23" X 19.5"
Frame: 32" x 28.5"

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

Antique Continental Demilune carved and gilt wood wall bracket. Late 19th century.

Height: 11”
Width:12”

Antique Carved Oak Statue of a Monk holding a book and seated on a curved bench. Probably American, circa 1880.

9" x 9" x 14" tall

Antique Carved Wooden Angel, holding a crown and a septer.

Probably English, 18th Century

15.75"tall, Oak

The royal coat of arms of the United Kingdom, or the royal arms for short, is the official coat of arms of the British monarch,[1][2] currently Queen Elizabeth II. These arms are used by the Queen in her official capacity as monarch of the United Kingdom.

Late 1800s

12.5 "tall 24" wide 2.5" deep, mounted on an ebonized wood base