Fine George III Octagonal Cellarette or Wine Cooler in mahogany with brass banding, having a hinged lid opening to a tin liner, slightly tapered body with brass carrying handles and the original stand with four champfered legs. English, circa 1780.

Originally used in the dining room to hold wine brought up from the cellar for the meal, the tin liner would have protected the wood from the condensation from the bottles. Now often used as an occasional or end table.

Top: 19.25" x 19.25"
Height: 27"

LATE GEORGE III W.&T.M. BARDIN 18-INCH TERRESTRIAL GLOBE ON STAND 
additions to 1807, dedicated to Sir Joseph Banks, the globe in etched brass frame resting on a corona with months and zodiac on turned support with tapering downswept legs with brass casters

Dimensions: Height: 41 in. (104.1 cm.), Diameter: 24 in. (61 cm.)

This terrestrial globe is supported on a wooden tri-pod pedestal, surrounded by a wooden horizon circle, and it is equipped with a brass meridian . The cartouche in the Pacific Ocean displays a seated female figure of Britannia, a seated woman holding an astronomical quadrant, and a small portrait of Joseph Banks. The text below reads: “To the Rt Honorable / SIR JOSEPH BANKS, BART K. B. / This New British Terrestrial Globe / containing all the latest Discoveries and Communications, from the most / correct and authentic Observations and surveys, to the year 1798 / by Captn Cook and more recent Navigators, Engraved on / an accurate Drawing by Mr Arrowsmith Geographer / Is respectfully dedicated / by his most obedient hble servants / W. & T. M. Bardin / 230” A text below reads: “Manufactured & Sold Wholesale & Retail by W. & T. M. BARDIN / 16 Salisbury Square Fleet Street London”

William Bardin (fl. 1730-1798) was a London artisan who began making globes around 1780. Ten years later, now partnership with his son, Thomas Marriott Bardin (1768-1819), he began trading as W. & T. M. Bardin. The 18-inch globes, their most ambitious, were introduced in 1798, and remained in production, by successor firms, for a half century.

Similar globe is in the collection of National Museum of American History

George III Hanging Wall Shelves; of rectangular form with two upper shelves flanked by pierced and shaped sides over a base with two short drawers with brass bail pulls . English. circa 1780. (ink stains to some shelves)

h:30 w:26 d:6.50 in

Antique Regency Music or Reading Stand in mahogany, having an adjustable sloped top above, supported by a turned shaft with adjustable height and ending in three down swept legs with replaced ebonized ball form feet.
English, circa 1810

Height closed: 29.5", raised:42.5" Top:12"x 15" (minor scratches to top)

Fine Late Regency Papier-Mâché Tray having a shaped gallery with gilt stencil decoration and inlaid with mother of pearl. English, circa 1835, mounted on a later bamboo form ebonized stand.

Height: 23.25 ” Length: 29.5” Width: 21.5”

Pair of miniature three drawer chests, in mahogany, circa 1860, probably desk top boxes. Dimensions :12 "x 12"x 9"deep

Attributed to Pieter van Bloemen (Flemish, 1657-1720)

Military Encampment

Oil-on-canvas.

Painting size: 23” x 32”

Frame size: 31” x 40”

Born in Antwerp, van Bloemen was the brother of Jan-Frans and Norbert van Bloemen. His master was the battle painter, Simon van Douw. In 1673 van Bloemen was a master in Antwerp, but he did not stay there long. He is believed to have spent 20 years in Rome and it is known that he was working there in 1688. In 1694 he returned to Antwerp where he had eight students in an atelier. Van Bloemen is noted for his paintings of horses, Italian landscapes, battle scenes and market places. His works are in the collections of many European museums.

Source:

Benezit, E. Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs

Extremely Rare Chippendale Wine Table in mahogany having an octagonal top with low gallery above a vasiform carved and turned pillar and supported by three downswept legs. English, circa 1750

Many of the tables of this form described as "wine tables" are taller and are actually candlestands. This is a true wine table, which would have been placed next to the host's chair after dessert was served and the servants withdrew so there could be private conversation.

22" high x 20" spread

Rare Chester County Pennsylvania Spice Chest in walnut having a moulded cornice above a raised panel door opening to an arrangement of ten small drawers (one replaced) and raised on straight bracket feet. Secondary woods include: poplar, oak, walnut and beech. There is a faint inscription on one of the bottom drawers. Pennsylvania, circa 1760-80.

Spice boxes or chests were a status symbol in colonial America. Only a household that was well furnished and fairly prosperous had a spice box. Spice chests were popular among the Quakers of the Delaware Valley during the late seventeenth and throughout the eighteenth centuries, remaining fashionable in Pennsylvania long after falling out of style elsewhere. The boxes, fitted in the interior with banks of small drawers, were often displayed in the public rooms (not the kitchens) of homes, functioning as both a repository for small valuables, such as spices and silver and jewelry items, and as a symbol of the family’s prosperity.

18"W x 9.75"D x 22" tall

Rare George II Writing Stand in mahogany, having a rectangular adjustable top with strut supports and a removable book rest, a fitted side drawer with two glass inkwells, two swing out candle-slides, and an adjustable height cannon-form standard supported by cabriole legs ending in pad feet and brass castors.

English, Circa 1740.

Height when closed: 36-3/4 in (93.3 cm); Width: 22 in (55.9 cm); Depth: 17 in (43.2 cm)
(ink stains on top)

Rare George III Wine Stand in mahogany having a circular top with molded lip on a shaped pedestal with tripod legs on slipper feet. English, circa 1760.

*Most tables of this form described as "wine tables" are actually candlestands. This is a true wine table, which would have been placed next to the host's chair after dessert was served and the servants withdrew so there could be private conversation.

h: 21 x dia: 10.75 in.

Rare Pair of Regency Upholstered Footstools, of square inverted trapezoidal form with a rosewood base and carved mahogany scroll form feet. Circa 1800. (losses to needlework covering)

6.5" x 16.5" x 6.5" tall

Rare set of English Regency bedsteps in mahogany with caned sides and back, having a turned gallery above three tooled leather treads, the first with tambour doors below, the second now with drawer below. Circa 1800-1815.

Height: 27” (top of top step)
Depth: 31.75”
Width: 20”

Rare American Federal tea caddy in nicely figured mahogany with three sides and stepped lid inlaid with banding and corner fan decoration; rectangular, with shaped skirt and French bracket feet and divided interior. Probably 1800. Provenance: The Cockrell Collection. See Montgomery, American Furniture, The Federal Period, #436-439 for other examples. Height, 9.25”; Length, 12”; Width, 6.5.”

Brass-Mounted Gonçalo Alves Collectors Cabinet

Workshop of George Bullock, circa 1815.

Having a moulded cornice above a central recessed section with shelves flanked to each side by rows of small drawers behind scrolling grille-inset doors with columnar uprights; the conforming base with four paneled doors, two with columnar uprights and raised on a platform base.

The inverted breakfront cabinet design in the French/Grecian manner was introduced by George Bullock in the early 19th century. This cabinet incorporates a number of elements characteristic to known Bullock examples, such as the double-heart shaped brass grills and the use of the exotic gonçalo alves timber (similar to rosewood), both found on a pair of bookcases after a design for the breakfast room of the exiled Emperor Napoleon's residence at New Longwood House on St. Helena (See: Wainwright, George Bullock, Cabinet-Maker, p. 102, pl. 39.).

Height: 71"
Width: 62.25"
Depth: 22.75"

Impressive large-scale Black Forest carved armchair in walnut with all over carved decoration of bark, branches, leaves and berries. Swiss. Circa 1870-1880. * Provenance: Anniee McCarthy, Newport, RI and NYC (label). Minor loss to tips of leaves on crestrail, caned seat was once over upholstered.

*See “History of Black Forest Furniture”

Height: 39.5”
Width: 25”
Depth: 24”