Dirk Ocker (Dutch, 1882-1958)

Blossoms and Bugs
Still Life with Flowers on a Marble Ledge

Oil-on-canvas, signed on reverse

Painting: 20 ¼” x 17 ¾”
Frame: 26 ¾” x 23” SAFA/11078

Lina Krause (German,1857-19)

Old Master Style Still Life

Oil on Panel, signed

Provanance: Noortman Master Paintings, Maastrick

Painting: 9.75" x 7.25"
Frame: 16" x 13.75"

Unusual Wood Tea Caddy or Tobacco Box in the form of a doghouse with brass nails and door surround and with a brass dog sitting outside. It opens by gently lowering the dog's hinged head which releases the peaked roof form lid which opens to a tin lined interior. The whole is mounted on a plinth base with brass beading. Circa 1870, probably Black Forest.

11.75" x 5.5" x 7" tall

Charming Victorian Bar Dispenser consisting of three metal bound miniature barrels with spigots and pails on a metal mounted stand Barrel are marked: Whiskey,Brandy Gin.

English,circa 1870-80

Each barrel 7.5"long, overall: 14" x 7" x 13"tall

(n.b. the dispensers are working, but are not very practical. Buy for decoration or amusement) 1450

Fine Large Pair of Regency Wood and Brass Candlesticks with fluted shafts and turned, circular bases. English, 1800-1820

Height: 21.5"

FinePair of Italian Grand Tour Bronze Candlesticks with nicely detailed foliate decoration and with good patina and fine castings. Having a removable ormolu drip pan above a bronze candle cup and supported by a turned and foliate decorated column with a tripartite scrolling ormolu base and mounted on a tripartite bronze plinth. These would have been brought home as a souvenir by someone who had made the Grand Tour. Italy, circa 1870. Height: 11.25"

Benson Bond Moore (American 1882-1974)

"Autumn on the Patuxent"

Oil on Board, signed lr, and titled and located "at Seven Gabels Near Cedar Point, MD. October 18, 1950" on the reverse

Provenance: The Estate of a Toms River Collector

Painting: 8" x 10"
Frame: 13.35" x 15.25"

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

Benson Bond Moore (American 1882-1974)

"Cloud Shadows, Bluemont, VA"

Oil on board, signed lower right and titled on the reverse

Painting: 10.25" x 16"
Frame: 14.5" x 20"

Provenance: The Estate of a Toms River Collector

** For other painting by artists from Maryland, Virginia or Washington DC, click on the "Regional Artists" button on our homepage

Benson Bond Moore, painter, etcher and teacher was born in Washington, DC. He studied at the Corcoran School of Art with Messer and Brooke , and also with Max Weyl . He continued his studies in drawing at the Linthicum Institute under Ballenger and learned painting conservation from his father.

Active in professional societies, he was a member and officer of the Landscape Club of Washington. He was also a longtime member of the Society of Washington Artists. He exhibited with both groups from as early as 1915 and continued through the 1930's. His work was also shown at the Corcoran Gallery of Art.

As an artist, he became well known and honored for his local scenes, many of which are in major public collections. His works are held by the National Museum of American Art; Historical Society of Washington, DC; Library of Congress; The White House; Bibliothèque National de Paris; Cosmos Club; National Museum of American History; the Houston Museum of Fine Art and the Los Angeles Museum of Art. Over his life, he was honored with numerous awards for his work.

Sources:
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"
Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Strass, Sephanie, "A Seasonal View - The Landscapes of Benson Bond Moore"

Fine George III Oval Brass Bound Peat Bucket with oak staves and brass banding, liner and loop handle. English, Circa 1780.

10" x 13"

British Three Masted Ship in the Bay of Naples

Italian School, Circa 1870.

Before photography, ship captains, owners or pasangers would commission local artists to paint their ship in foriegn ports, Here we see a ship in the Bay of Naples with Mount Vesuvius in the background

Ptg. : 10.5" x 16"
Frame: 13" x 18"

Wonderful Victorian Church Form Whimsey in mahogany, having two drawers and a small well beneath the steeple.

English or American, circa 1870.

10" x 6"x 16"tall

View of Laguna Beach

Charles Ross Kinghan (American, 1895-1984)

Watercolor on paper, signed.

A painter and illustrator, Kinghan trained at the American Academy of Art and the Art Institute of Chicago. In addition to his studio work, Kinghan began a career as an art teacher. In 1937, he first offered private instruction. While that continued throughout his life, he also worked for a time at the American Art Academy which was followed by a position at the Huguenot School of Art. After leaving art academia, Kinghan worked for over ten years for various advertising agencies as a “sketch man”.

While busily employed in various capacities during his life, Kinghan also found time to participate in many exhibitions. His work was shown at the Art Institute of Chicago, Allied Artists of America, American Watercolor Society, National Academy of Design and many others.

In addition to winning two gold medals from the Allied Artists of America, in 1956 and 1964, Kinghan was a member of the association. He also held memberships in The National Academy, Academy Artists Association, American Watercolor Society and Hudson Valley Art Association. He served both the American Watercolor Society and Hudson Valley Art Association as vice president in 1969 and 1968, respectively.

He was a resident of Laguna Beach, CA at the time of his death.

Kinghan is listed in Who Was Who in American Art by Falk.

Sight size: 14.5” x 20.5”
Frame size: 22.25” x 28.5”

Santa Maria della Salute, Venice

by C. Myron Clark (American, 1876-1925)

Oil on canvas, signed and dated: "1906"

Painting: 16" x 12"
Frame: 21.5" x 17.5"

American painter C. Myron Clark specialized in marine subjects and, like so many other artists, was drawn to Venice with its ongoing atmospheric shifts in the sky and sea. The Peabody Museum in Salem, MA has five of his works in the permanent collection. He is listed in Who Was Who in American Art by Falk and Dictionary of Sea Painters by Archibald.

Federico Jiménez Fernandez (Spanish, 1841- ?)

Chickens and Rooster

Oil-on-Panel, signed lower right

Painting: 12.5" x 9.25"
Frame: 18.5" x 15.25"

Federico Jiménez Fernandez was born in Madrid in 1841 and trained at the School of Painting, Sculpture and Engraving of San Fernando where he studied with José Gonzalez Bande. He traveled to Paris to continue his studies, as did so many other artists of the time. Jiménez was known for his paintings of birds and animals, both wild and domesticated.

Jiménez began exhibiting at the age of 17 and won his first of many medals the following year. His reputation was well established at an early age and his painting “La Maison Morte” was purchased by the National Museum in 1862. He also exhibited in Germany and in Paris at numerous venues. His popularity and the taking on of commissions to decorate palaces allowed him to support his family in a comfortable fashion.

One of Jiménez’ paintings, a parody of “The Judgement of Paris” is held by the Prado Museum. In this work, Paris and the three beautiful goddesses are replaced by a rooster with an apple at his feet and three hens.

Sources:
Benezit, E. Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs

Fine George III Oval Brass Bound Peat Bucket with mahogany staves and brass banding, liner and loop handle. English, Circa 1780. 13" x 10" x 12.5" (not including handle)

James Francis O’Brien (American, 1917-1996)

Bethesda Oriental Restaurant

Oil on canvas, signed, located, inscribed and dated: “1983” on the reverse.

Painting size: 24” x 20”
Frame size: 29” x 25”

** Please Note - This painting came directly from the Estate of Mr. O’Brien. For other examples, type “O’Brien” into the search box.

** For other paintings by artists from Maryland, Virginia, Washington DC or North Carolina, click on the “Regional Artists” button on our Homepage.

Born in Newtonville, Massachusetts, O’Brien exhibited a love of drawing and painting from a very early age. As a high school student, he took all possible elective courses in art and technical drawing. He supplemented this study with evening courses at M.I.T. Following his move to Washington, DC as a young man, he enrolled in the Washington Workshop of the Arts. WWA, like the Art Students League in New York City, was a school in which all the classes were taught by a rotating roster of professional artists.

During WW II, his technical artistic training served his country well when he was put to work as a map maker. In the final year of the war, O’Brien married. On his honeymoon in New York City, he found time to paint the rooftop view from his hotel room window. This initiated a lifelong pursuit of city painting (his family was inclined to call it an obsession).

Starting with the founding of Federal Graphics, a commercial art firm he launched with a partner in 1947, he pursued a commercial career for the majority of his life. However, he always considered painting his “real” work, and his dedication to this vocation was apparent in a myriad of ways. He helped to found the Montgomery County Art Association and held memberships in the Arts Council of Montgomery County and American Art League.

Throughout his life, he exhibited widely, both as an individual and in group shows. The Arts Club of Washington, Corcoran Gallery of Art, Brooklyn Museum of Art, Montgomery College, and the Rehoboth Art League were a few among the many venues at which his works were shown. In addition, he exhibited in several private galleries.

Fine Pair of Grand Tour Bronze and Ormolu Candlesticks in the Empire style with fluted baluster shaped shafts , with acanthus decoration on gilt-bronze sections and paw feet raised atop tripartite bases. These would have been brought home as a souvenir by someone who had made the Grand Tour. France or Italy, circa 1870.

h: 11 in.

Fine Pair of Antique Gothic Inspired Brass Urns Having an openwork gallery and handles, a cast brass hexagonal pillar and an octagonal foot mounted on an ebonized wood base. French, circa 1850-60.

Height: 19"