Exceptional Naturalistic Bronze Covered Compote, urn form with extremely fine decoration of bugs, leaves and flowers. Probably French, mid 19th Century.

Height 10"

John White (English, 1851-1933)

Woodland Fall Landscape

Oil on panel, signed in lower left corner, “JN White, R.I.”

Painting size: 6.75” x 10”
Frame size: 10.5” x 13.5”

Known for his rustic genre paintings and landscapes, White attended the Royal Scottish Academy. By 1877, he moved to Devon and exhibited regularly at the Royal Academy, the Society of British Artists, Suffolk Street and the New Watercolor Society.

On this landscape, White painted the initials “R.I.” after his name, indicating that he was a Member of the Royal Institute of Painters in Watercolors. Although this work is in oil, White’s scumbled brushwork has the immediacy of watercolor and creates the atmospheric haze of a fall afternoon.

John White was also a Member of the Royal Institute of Painters in Oil-Colors. He is listed in The Dictionary of British Watercolor Artists up to 1920 (Mallalieu, 1976) and the Dictionary of British Art, Volume IV Victorian Painters (Wood, 1995).

Oval portrait miniature of a young woman; watercolor, signed indistinctly. She is wearing a lace and floral trimmed bonnet, braids coiled over her ears, pearls and a ruched off the shoulder rose dress, all typical of the 1840’s.

Frame: 5.5” x 4.75”

Pair of miniature three drawer chests, in mahogany, circa 1860, probably desk top boxes. Dimensions :12 "x 12"x 9"deep

Antique Carved Wooden Angel, holding a crown and a septer.

Probably English, 18th Century

15.75"tall, Oak

Antique Italian Openwork Carved and Gilt Mirror; rectangular with scrolling leafage openwork decoration. Late 19th Century

Plate: 21.5 x 17.25"
Frame: 29" x 33"

**Please Note: This item is not currently on view in our gallery. Please call at least 48 hours in advance if you wish to see it.

Antique Bird's-Eye Maple Tea Caddy of sarcophagus form having a hinged, canted lid with line inlay, lions head brass carrying handles and pressed brass ball form feet. Probably American, circa 1820.

0.5" x 6" x 6.5" tall

18th Century Bottle or Cutlery Box on later stand, having a shaped gallery surmounted by a brass carrying handle and with a divided interior. English, circa 1780.

14" x 9.75"x 22"tall

Rare Chinese Export Child’s Black Lacquer Tea Caddy with stepped lid and shaped body having gilt decoration of figures in courtyards and raised on carved dragon form feet. Circa 1820-1830. See our #581, #701 and #702 for related examples.
5.25” x 3.75” x 4”

English School, early 19th century

Portrait of a Woman in Lace Cap

Oil on panel.

Provenance: J. Davey & Sons, Manchester, England

Painting size: 8.5” x 7”
Frame size: 11.5” x 10”

Antique Renaissance Revival Desk Cabinet, ebonized with ormolu mounts, having a galleryed superstructure with a hinged door below, opening to a divider interior, and raised on flattened ball feet.

Probably French, circa 1870

Height: 24.75"
Width: 14.75"
Depth : 7.5"

Antique Regency Sarcophagus Form Tea Chest in rosewood having a hinged lid inlaid with a classical scene with griffins flanking an urn and opening to a fitted interior with two removable lidded caddies and a later sugar bowl and spoon, and the whole mounted with brass lion and ring handles and feet.

English,Circa 1800

13" x 6.5" x 7.5" tall

Large Antique Chinese Black Lacquer Tea Caddy, rectangular with hinged lid opening to an engraved pewter (pac-tung) liner ; the whole decorated with figures in gardens and with brass carrying handles.

Circa 1860. 13.5" x 11" x 8.5" tall (minor losses, filled crack in lid)

Antique English Regency style child's high chair in mahogany with caned seat and back, with a replaced adjustable footrest, turned cross stretcher and detachable turned leg stand. The stand can then serve as a small table when used with the chair.Late 19th century.

Height: 36”
Width: 17”
Depth: 14.5”

Augustus John: Fifty-Two Drawings

Signed, limited edition, with an introduction by Lord David Cecil. Published by George Rainbird, London (1957). Hardcover folio, 16.5 x 11.75 inches. Limited to 150 copies of which this is Number 107 with slipcase. Signed by Augustus John and Lord David Cecil and inscribed to the art collector Emily Chadbourne and signed a second time by Augustus John. The book was designed and produced by George Rainbird and Ruari McLean.The lithograph self-portrait was drawn by the artist in July, 1955 and directly printed from the plate at the Curwen Press which also printed the text. The plates were printed in photo-litho offset by Van Leer of Amsterdam. The text is printed on Abbey Mills Suede Text Antique laid. Bound by Zaehnsdorf of London in half vellum over brown paper with gilt title on spine. Lithographic plate to the top board. Very good condition; a handsome copy of an important work.

Justin Faivre (American)

Decline of the Windjammers

Watercolor on paper, signed and dated: “1934” and titled in pencil on the reverse.

Sheet size: 12.5” x 18.5”
Mat size: 19.5” x 25.5”
Unframed

Justin Faivre was born in Matthews, Indiana. At the age of 5, however, he moved to Portland, Oregon . As a teenager he studied at the Portland Art Gallery and took private art lessons with Howard Ellis.

In 1923 Faivre left Portland for Los Angeles, but only a few years later moved to San Francisco. In 1934 he had his first exhibition at the Oakland Art Gallery (later to become the Oakland Museum)and continued to exhibit throughout the area. He was a member of the Hayward Art Association, Alameda Art Association, and the Society for Western Artists.

Faivre was influenced by the Society of Six and his early works included landscapes, still lifes, portraits and marine subjects in both oil and watercolor. However, his later work can be characterized as more abstract and nonrepresentational.

Faivre died at his Oakland, California home at the age of 88. Sadly, he died penniless and many of his paintings were stolen shortly before his death.

Source:

Falk. Who Was Who in American Art.
Hughes. Artists in California.
Crocker Art Museum Store.

English mahogany tea chest of simple rectangular form. The beauty of this chest lies in its interior with its two silver plate tea canisters and matching silver plate sugar canister. Circa 1825.

Height: 6.25”
Length: 9.75”
Depth: 6.75”

French School, Late 19th/early 20th Century

Young Girl with Paper Dolls

Oil-on-canvas, Unsigned

Oval: 19” x 14 ¼”
Frame: 25 ½” x 20 ¾”

This charming study of a young girl intent on cutting out paper dolls is reminiscent of works by Berthe Morisot, Mary Cassatt and Pierre-Auguste Renoir (his earlier works). She is beautifully captured with her rosebud lips, her hair tied up in a bow, a lacy pinafore over her navy dress and stockinged legs dangling. Set against a textured backdrop, her figure seems perfectly set apart, in her own world.