Antique Indian Brass Tea Caddy with brass and stone mounts

5" x 5" x 5"

Late 19th or early 20th C.

Young Boy (perhaps a Putto) with a Branch and a Rattle

By Aguste Moreau (French, 1834-1917)

Base: 10" x 7"
Height: 23"

*Please note: This is an original antique bronze, not a modern re-strike, and is so guaranteed.

Auguste Moreau was born in Paris in 1834, the youngest son of sculptor and painter Jean-Baptiste Moreau. He studied with his father and also under Aimé Millet, Augustin Drumont and Jean Thomas. Each of the three Moreau brothers - Hippolyte, Marthurin and Auguste - have become renowned for the quality and the beauty of their figurative sculpture. In 1861, Auguste made his debut at the Salon where he would exhibit regularly until 1910 in both bronze and marble. His subjects were primarily young maidens sensuously clad in swirling diaphanous dress and usually decorated with flowers and birds or allegorical and genre scenes incorporating cupids and young children. His style was realistic and graceful, revealing his relation to the other members of the Moreau family. His compositions encapsulate a feeling of innocence whilst incorporating an air of mischievous game.

He is Listed in "The Dictionary of Western Sculptors in Bronze" by James Mackay

Gilt Bronze of Caillope,

by Henry Etienne Dumaige(1830-1888)

6.5" x 6" x 18.5" tall

Born in Paris in 1830, Dumaige studied sculpture under Féuchère and Dumont. He exhibited his sculptures depicting groups, statues, and busts at the Salon from 1862-1877. . He sculpted a large number of busts, groups and statuettes in marble, plaster and bronze, including statuettes of Desmoulins and Rabelais. He died at St-Gilles-Croix-de-Vié in 1888.


 References Thieme-Becker, "Allgemeines Lexikon Der Bildenden Künstler Von Der Antike Bis Zur Gegenwart"

MacKay, J. "A Dictionary of Western Sculptors in Bronze", 1976

Berman, H. "Bronzes- Sculptors and Founders", 1987


Forrest, M., "Art Bronzes", 1988
K

jellberg, P. "Bronzes of the 19th Century

A Dictionary of Sculptors", 1992


Bénézit, E. "Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs", Gründ, 1999.

KALLIOPE (Calliope) was the eldest of the Mousai (Muses), the goddesses of music, song and dance. She was also the goddess of eloquence, who bestowed her gift on kings and princes. In the Classical era, when the Muses were assigned specific artistic spheres, Kalliope was named Muse of epic poetry. In this guise she was portrayed holding a tablet and stylus or a scroll. In older art she holds a lyre.

*Please note: This is an original antique bronze, not a modern re-strike, and is so guaranteed.

Rare Large Pair of Antique Wall Appliques, carved and gilt wood in the form of flowers in baskets.

French or Italian, 18th/19th Century

30"tall x 23"wide x 2''deep

Rare English Regency Tea Chest in rosewood, of sarcophagus form with a paneled lid opening to a fitted interior retaining a pair of Anglo-Irish cut glass tea caddies and sugar bowl and original felt lining under the lid, circa 1830.

Cut crystal containers were very expensive at this time, almost as expensive as silver. It is very unusual for tea chests to retain their original crystal fittings.

13" x 6.75" x 8" tall

Tea Chest in the Form of a Sideboard, in mahogany and deal, having a rectangular hinged top with shaped and carved backsplash, opening to a felt lined interior with two compartments for teaspoons and a moulded crystal sugarbowl. The front with a starburst pierced central panel flanked by hinged doors with applied plinth-form decoration and opening to foil lined drawers for green and black teas.

William Smee & Sons, London, published a catalog of furniture designs in 1850 which had sideboards of similar form. (See Pictorial Dictionary of British 19th Century Furniture Designs by Edward Joy, pp 435-36.)

Exhibited: The 48th Washington Antique Show, “Inside and Outside the Box”.

English Circa 1840.

13.25” x 7” x 11.25” (Non-working key)

Exceptional Naturalistic Bronze Covered Compote, urn form with extremely fine decoration of bugs, leaves and flowers. Probably French, mid 19th Century.

Height 10"

Wonderful Victorian Church Form Whimsey in mahogany, having two drawers and a small well beneath the steeple.

English or American, circa 1870.

10" x 6"x 16"tall

Rare Red Lacquer Tea Chest of bombe shape with cut corners having a hinged steppedlid opening to two engraved pewter caddies,t he whole with gilt decoration and raised on dragon form feet.

Chinese,circa 1850

9.5" x 7"x 5.5" tall

Antique Regency Sarcophagus Form Tea Chest in rosewood having a hinged lid inlaid with a classical scene with griffins flanking an urn and opening to a fitted interior with two removable lidded caddies and a later sugar bowl and spoon, and the whole mounted with brass lion and ring handles and feet.

English,Circa 1800

13" x 6.5" x 7.5" tall

Charming Victorian Bar Dispenser consisting of three metal bound miniature barrels with spigots and pails on a metal mounted stand Barrel are marked: Whiskey,Brandy Gin.

English,circa 1870-80

Each barrel 7.5"long, overall: 14" x 7" x 13"tall

(n.b. the dispensers are working, but are not very practical. Buy for decoration or amusement) 1450

Antique Hepplewhite Tea Caddy in mahogany with a fan inlay on the top and swag inlay on front.Having a hinged lid opening to two compartments for black and green tea, and raised on later ivory ball form feet.

English,Circa 1790

8" x 5" x 5.75" tall

Antique American Wooden Book Form Bank, with coin slot below and hinged cover above.

Circa 1860-80

6.25 x 4.5"x 2"deep

Charming Antique English Hanging Cutlery Box in oak, banded in mahogany and inlaid with a knife and fork, having a hinged lid and carved crest rail. Circa 1800.

7.5" x 5" x18.75 "tall

Victor Spinski (American, 1940-2013)

A Piece of Cake

Ceramic, Signed and dated: "(19)97"

6 3/4" Diam. x 4" H

Spinski was a leading figure in the avant-garde ceramics movement of the 1960’s and 70’s. Throughout his career, Spinski experimented with many different materials, forms and techniques, becoming most well-known for his tromp l'oeil clay sculptures, which often incorporated humor.  In a 1983 article in the New York Times, art historian Helen A. Harrison described Spinski's works as being "technically sophisticated and fascinating in their imitation of nonceramic objects, such as metal cans filled with garbage. His "fountains," including an overflowing sink full of dirty dishes and a pile of beer cartons that have sprung a leak, are both cleverly conceived and beautifully realized."  Spinski participated in many historic solo and group exhibitions during his lifetime, including "Clayworks: 20 Americans" and "Coffee, Tea and Other Cups" both held in 1971 at the Museum of Contemporary Crafts in New York City. 

Antique Black Forest Tea Caddy in the form of a dog house with a mounted bronze of a dog, carved on all sides and back and with a trick latch to open. German, circa 1870 . 8.5" x 7.5" x 7" tall

Unusual Wood Tea Caddy or Tobacco Box in the form of a doghouse with brass nails and door surround and with a brass dog sitting outside. It opens by gently lowering the dog's hinged head which releases the peaked roof form lid which opens to a tin lined interior. The whole is mounted on a plinth base with brass beading. Circa 1870, probably Black Forest.

11.75" x 5.5" x 7" tall

Maurice Boval (French, 1863–1916)

Art Noveau Bronze of a Young Beauty

Signed, 14.25" high, 11" wide, 7"deep

Maurice Bouval was a French sculptor of the Art Nouveau period who was born in Toulouse, France in 1863. From 1880 to the first World War, he created a large number of bronze statues or objects including chandeliers, candelabras or table lamps. His main works are Ophelia, Femme assise, Jeune femme, Le Sommeil, Femme aux pavots, Le Secret et la Pensiveand and the statue that crowns the tower of the Casa de la Cultura, (Buenos Aires). He was not a prolific sculptor. He participated in the 1890 Exposition Universelle in Paris and was a member of the Société des Artistes Français and exhibited at the Salon from 1891 to 1914. He was a pupil of Alexandre Falguière who sculpted the Triumph of the Republic for the Arc de Triomphe in Paris. At least three different founders cast his bronzes- Colin, Jollet, and Thiebaut frères. His work is highly regarded and well listed in most major discussions of sculptors of the Art Nouveau period. His works, as is this one, are usually signed M. Bouval.

**Please note: This is an original antique bronze, not a modern re-strike, and is so guaranteed.