Coastal View of a City

by Julius Montalant , American. (1823-1878)

Oil on Canvas, signed.

Ptg.: 11" x 18"
Frame: 18" x 25"

Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships. Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China.  Many of his works are held in the Museum of the U.S. Naval Academy.  Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position.

During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts.  Included were paintings of North America, Greece, China, France, Italy, and South America. The 'tropical' scenes were apparently based on sketches done on board the USS St. Louis. In 1858 he traveled to Rome, and is recorded to have studied with J.B. Durand-Brager in 1864.  He made Rome his base until his death in 1878. Montalant appears to have been a peripatetic artist, for during his decade of exhibition in the United States, he listed his addresses as Philadelphia, Rome, Italy, and Europe. He was a friend of the sculptor E. S. Bartholomew. After painting in southern Italy for several years, he returned to New York City in mid-1859.

He exhibited at the Pennsylvania Academy of the Fine Arts from 1851 to 1861. He exhibited two New Hampshire paintings at the Pennsylvania Academy of the Fine Arts in 1855 – Mount Washington and View from Mount Kearsarge. He exhibited at the Paris Salon in 1861 and 1863.

Lee Lufkin Kaula

Lee Lufkin Kaula

Oil on Canvas, signed

Painting:21.50" x 17.50"
Frame: 28.5" x 24.5"

Born in Erie, Pennsylvaniain 1865 , Lee Kaula became an impressionist painter Lee Lufkin is best known for her portraits and figures and is considered a member of the "Boston School of Impressionism". She had a wealthy family, so she did not have financial worries. She first studied with Charles Melville Dewey in New York and then she and a friend, Claire Shuttleworth, went to Paris in 1894, and Kaula studied with Edmond Aman-Jean at the Academie Colarossi. Charles Gruppe also gave her encouragement.

In 1902, she married artist William Jurian Kaula (1871-1953), whom she had met in Crecy, France, and they were the first artists to have studio space in the Fenway Studios in Boston at 30 Ipswich Street. Painting together, they lived in one space and used the other for a studio. They spent summers painting in Bank Village, near New Ipswich, New Hampshire, and became known there for their spectacular flower gardens.

She was a member of several Boston art associations including the Copley Society, the Guild of Boston Artists and the Boston Society of Watercolorists. She exhibited at the Paris Salon in 1897 and 1898; the 1901 Pan-American Exposition in Buffalo, New York; and the 1915 Panama-Pacific Exposition in San Francisco. From 1897 to 1913, she exhibited 14 times at the Art Institute of Chicago, and in 1928 at the Pennsylvania Academy of the Fine Arts. From 1901 to 1922, she was in five annual exhibitions at the National Academy of Design.

Sources:
Paul Sternberg Sr., "Art by American Women"
Jules and Nancy Heller, "North American Women Artists of the 20th Century"
Pettys,"Dictionary of Women Artists"

Very Fine English Sunderland Table in figured mahogany having two drop leaves supported by turned swing legs and with open fretwork decoration.

Attributed to C. & R, Light, circa 1880

Open: 23" x 24" x24" tall
Closed: 6.5" wide

Extremely Rare if not unique, 18th C. Georgian Tea Caddy with cut glass mirrored panels on three sides and the top and with striped inlay on the lid and zebra striped edging. The hinged lid opens to three divided compartments. Circa 1760.

8.5" x 5" x 4.5"tall

Henri Charles Antoine Baron (French 1816-1885) La Rapetasseuse et son Chat

Oil on Panel, signed

Ptg. : 12.65" x 9.5"
Frame: 16" x 13"

Born 1816 in Beancon, he was a pupil of his compatriot Jean Gigoux. Baron first exhibited in 1840 with two Salon paintings. Théophile Gaultier describe them as "full of feeling and color." He obtained third class medals in 1847, 1855 and 1867 (at the World Expo), the medal 2nd class in 1848 and was made a Knight of the Legion of Honour in 1859.

He was known as a lithographer and illustrated many works in the romantic spirit. He specialized in the realization of friendly and happy scenes evoking the Italian Renaissance and the gallant eighteenth century in the direct line of the festivals of Watteau, Pater and Lancret, and the representations of fabrics and drapes. He was associated with the Chantilly castle decor of the Duke of Aumale. Baron died in 1885 in Geneva

Antique Silverplated Tea Caddy by the Pairpoint Company, New Bedford, MA; rectangular with a lifting lid surmounted by a seated Chinese figure with a fan, all over cast decoration in the Chinese taste and with ball form feet.

Late 19th C. (etched initals on lid,lacquered)

5.5" x 3.75" x 5.5" tall

Julius Montalant, American 1823-1878.

View of a Harbor

oil on canvas, signed l.l.

Painting: 11 x 18.
Frame: 18 x 25.

Provenance: The Lowell/Putnam Estate

Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships.

Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China.  Many of his works are held in the Museum of the U.S. Naval Academy.  Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position.

During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts.  Included were paintings of North America, Greece, China, France, Italy, and South America. The 'tropical' scenes were apparently based on sketches done on board the USS St. Louis.

In 1858 he traveled to Rome, and is recorded to have studied with J.B. Durand-Brager in 1864.  He made Rome his base until his death in 1878.

Source: Peter Hastings Falk, Editor, Who Was Who in American Art

LATE GEORGE III W.&T.M. BARDIN 18-INCH TERRESTRIAL GLOBE ON STAND 
additions to 1807, dedicated to Sir Joseph Banks, the globe in etched brass frame resting on a corona with months and zodiac on turned support with tapering downswept legs with brass casters

Dimensions: Height: 41 in. (104.1 cm.), Diameter: 24 in. (61 cm.)

This terrestrial globe is supported on a wooden tri-pod pedestal, surrounded by a wooden horizon circle, and it is equipped with a brass meridian . The cartouche in the Pacific Ocean displays a seated female figure of Britannia, a seated woman holding an astronomical quadrant, and a small portrait of Joseph Banks. The text below reads: “To the Rt Honorable / SIR JOSEPH BANKS, BART K. B. / This New British Terrestrial Globe / containing all the latest Discoveries and Communications, from the most / correct and authentic Observations and surveys, to the year 1798 / by Captn Cook and more recent Navigators, Engraved on / an accurate Drawing by Mr Arrowsmith Geographer / Is respectfully dedicated / by his most obedient hble servants / W. & T. M. Bardin / 230” A text below reads: “Manufactured & Sold Wholesale & Retail by W. & T. M. BARDIN / 16 Salisbury Square Fleet Street London”

William Bardin (fl. 1730-1798) was a London artisan who began making globes around 1780. Ten years later, now partnership with his son, Thomas Marriott Bardin (1768-1819), he began trading as W. & T. M. Bardin. The 18-inch globes, their most ambitious, were introduced in 1798, and remained in production, by successor firms, for a half century.

Similar globe is in the collection of National Museum of American History

Antique English Tea Chest in the Form of a Sideboard, in mahogany and deal, having a rectangular hinged top with shaped and carved backsplash which opens to a sugarbowl, the front with two cabinet doors opening to lidded tea caddies.

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

William Smee & Sons, London, published a catalog of furniture designs in 1850 which had sideboards of similar form. (See Pictorial Dictionary of British 19th Century Furniture Designs by Edward Joy, pp 435-36.) 14"x5"x12.75"tall (key)

Rare American Federal tea caddy in nicely figured mahogany with three sides and stepped lid inlaid with banding and corner fan decoration; rectangular, with shaped skirt and French bracket feet and divided interior. Probably 1800. Provenance: The Cockrell Collection.

See Montgomery, American Furniture, The Federal Period, #436-439 for other examples.

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

Height, 9.25”; Length, 12”; Width, 6.5.”

#530 Antique Anglo-Indian Tea Chest, sandalwood overlaid with strips of elk horn. The box is rectangular with sloped sides. The elk horn on the top of the stepped, sloping lid arranged in a starburst pattern. The fitted interior is decorated with incised ivory panels, highlighted with lac, a similarly decorated pair of removable caddies and a circular cut crystal sugar bowl and a horn caddy spoon. (The squashed ball feet are later replacements. Lid lack support). Valtair, Vizagapatam, possibly by Chinniah, ca. 1840-50. See: Furniture from British India and Ceylon by Amin Jaffer, #61 for a similar workbox. Exhibited: The 48th Washington Antiques Show, “Inside and Outside the Box.” and “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024 Height, 9”; Width, 14.75”; Depth, 8.5”.

Rare Antique Chinese Export red lacquer melon-form tea caddy with six loebed sides, three gilt dragon paw feet, gilt decoration of figures in gardens on body and hinged lid with carved “stem,” opening to a similarly shaped tin liner. Circa 1825. Height, 5.5”; Diameter, 6.25” Gourds and mellons had a particular significance in Chinese culture.

See: ”Antique Boxes”by Clark and O’Kelly, figure #238 and our #620 for a similar example.

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

Rare Chinese Export Child’s Black Lacquer Tea Caddy with stepped lid and shaped body having gilt decoration of figures in courtyards and raised on carved dragon form feet. Circa 1820-1830. See our #581, #701 and #702 for related examples.
5.25” x 3.75” x 4”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

French Boulle Style Tea Caddy, rectangular with cut-corners and slightly domed lid with all sides and two interior lids extensively inlaid with engraved brass and red and black colored lacquer simulating tortoise-shell in the 17th century manner. Circa 1850.

Provenance: The Cockrell Collection. (Key). (See our #555 for a related example with blue lacquer ground.) See Clark & O’Kelly, p. 109-10 for related boxes. Height, 4.5”; Length, 8.75”; Depth, 4.5.”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

Rare Child’s Miniature Tole Tea Caddy of Sarcophagus Form, having a shaped lid surmounted by a cast brass knop and with paw form feet: decorated with “smoke” graining and on the front a patera of polychrome flowers. American or English. Circa 1810. (Losses) Provenance: The Cockrell Collection. 3” x 2.25” x 3.5”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

English octagonal ivory tea caddy with fluted ivory panels with tortoise shell stringing and banding, having a pyramidal lid with silver finial opening to a lidded compartment. Circa 1790. Height, 5”; Length, 4.25”; Depth, 3.25.”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024 **Regarding the Sale of Items Incorporating Materials from Endangered Species: An export license issued by the U.S. Fish and Wildlife Service will be required for the export of this pre-CITES item from the U.S. Studio Antiques will not ship this item outside of the USA without proper paperwork, which is the buyer's responsibility.

Rare English Regency Hawksbill and Greenback Tortoiseshell Tea Caddy with ivory and pewter stringing, having cut corners and a bowed front panel with pressed tortoise in concentric ovals with fan corners and central inlaid silver oval with leafage border; the bowed lid surmounted by a ball finial and the whole raised on ball feet. Circa 1800-15. (Key). Height, 6”; Length, 8”; Depth, 4.75.”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

18th Century Bottle or Cutlery Box on later stand, having a shaped gallery surmounted by a brass carrying handle and with a divided interior. English, circa 1780.

14" x 9.75"x 22"tall